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1991. Animal Totem
Animal Totem
Description
Exterior brick carving of domesticated animals in a totem pole like form., 1734 NW Aspen, Portland, Oregon, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Central. You may view their website at http://www.racc.org/
1992. Animal Totem
Animal Totem
Description
Exterior brick carving of domesticated animals in a totem pole like form., 1734 NW Aspen, Portland, Oregon, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Arts Central. You may view their website at http://www.racc.org/
1993. Cornelius, Zira and Friends in Hemispheres
Cornelius, Zira and Friends in Hemispheres
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
1994. Cornelius, Zira and Friends in Hemispheres
Cornelius, Zira and Friends in Hemispheres
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
1995. Cornelius, Zira and Friends in Hemispheres
Cornelius, Zira and Friends in Hemispheres
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
1996. Cornelius, Zira and Friends in Hemispheres
Cornelius, Zira and Friends in Hemispheres
Description
Bruce Conkle loves snowmen, coconuts, fairy tales, crystals, and meteorites. He is interested in creating work which uses art and humor to address contemporary attitudes toward nature and environmental concerns, including deforestation and climate change. Bruce's work often deals with escapism, artificial worlds and man’s place within nature and frequently examines what he calls the “misfit quotient” at the crossroads. His work has shown in Reykjavik, Rio De Janeiro, New York and Portland, and he has been represented by Jack The Pelican Presents. Mr. Conkle has received multiple RACC project grants, is co-founder to the artist collective Blinglab and a 2006 Caldera Artist Residency alum. Marne Lucas is a photographer and installation artist using nature, pop-culture and sexuality through a filter of humor, as fundamental themes in her work. Her most recognized work is portraiture based, exploring intimacy with candor in her pin-up portraits of men and women, her artist portraits series and her ongoing self portrait series titled 'MLSP'. For the past ten years, Marne has worked as a visual and installation artist, in film & video production, performance, curatorial projects and in health and arts related non-profit organizations. In 2005 she co-curated the 'Danzine Retrospective' installation for non-profit organization Danzine, part of 'At The Mercy Of Others: The Politics of Care' organized by the 2005 Whitney Museum ISP Fellows. 2006 saw an elaborate puppet show produced by Blinglab at the PICA T.B.A festival. She is a RACC project grant recipient, a Caldera Artist Residency alum and co-founder of the artist collective Blinglab., http://www.marnelucas.com ; http://www.ecobaroque.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
1997. McAlexander posing for sculptor
McAlexander posing for sculptor
Description
Gen. McAlexander poses for a bust by sculptor Pompeo Coppini, ca. 1930. The completed bust of Major General U. G. McAlexander, U.S. Army retired, was awarded the Grand prize and Gold Medal at the Balogne, Italy, exhibition in 1931. The sculptor, Pompeo Coppini, has been knighted, Commandatore of the crown of Italy by the King for his life work and other worthy contributions in the field of art to the United States, where he has been a citizen for over thiry years. Mr. Coppini executed a great number of important public memorials in many states, including three equestrian groups.
1998. Valley Library Stone Statue
Valley Library Stone Statue
1999. Library sculpture
Library sculpture
2000. Lady of the Fountain
Lady of the Fountain
Description
The "Lady of the Fountain" is property of the Class of 1902. Shown in the picture are: Claude F. Palmer, Alma Ethelyn Scharpf, Dean Mary A. Rolfe, (behind lady), Helen Gail Mattley, and Harold Walton Readon. The statue was stolen by U of O students and stored in a Portland basement for almost two years. Helen Mattley '22 got word of it through "devious" channels and after it was confirmed through a fake inspection by Floyd Carter '20 passing as a telephone employee. The group listed above along with Johnny Wells, campus policeman, went to Portland and brought it back. It was returned during a track meet in 1922.
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