Copper Screen Gates
- Title
- Copper Screen Gates
- LC Subject
- Architecture--Details Art metal-work Bronze sculpture Copperwork Decoration and ornament, Architectural Doorways Sculpture Steelwork sculpture (visual work) public sculpture bronze (metal) copper (metal) glass (material) steelwork (visual works)
- Creator
- Chabre, Wayne
- Description
- The gate panels depict a moment in time showing the life cycle of a forest scene in Oregon. Plant forms are representative of different parts of Oregon. A theme of birth through death is represented by an old half dead pine and a new sapling, spring flowers, and a stream flowing through to provide nourishment. (information from OAC documentation) waynechabre@charter.net The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
- View
- front
- Location
- Oregon State Archives >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
- Street Address
- 800 Summer St. N. E., Salem Oregon
- Award Date
- 1991
- Identifier
- 1991_salem_or-state-arch-bldg_03_a02
- Accession Number
- 1991_salem_or-state-arch-bldg_03_a02
- Rights
- In Copyright
- Dc Rights Holder
- Chabre, Wayne
- Type
- Image
- Format
- image/tiff
- Measurements
- 10 feet 9 inches x7 feet 5 inches x 13/4 inches
- Material
- Architecture; Sculpture; Metalwork steel; copper; bronze and glass
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1991 Oregon State Archives Building, Salem Oregon 1991_salem_or-state-arch-bldg
- Has Version
- digital files; tiff; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- An online tour of art in the State Archives Building is available at http://arcweb.sos.state.or.us/tour/lobbyart.html Entry to the exhibit gallery
- Color Space
- RGB
- Biographical Information
- These gates were designed to contrast with the architecture and complement the function of the building in which they are places. Through the use of ancient vegetative life-cycle symbolism and water as nourisher and sustainer of life, I've tried to connect the recorded lives in the Archives with the natural surroundings that nurtured them and without which the current cycles would not be possible. (Chabre, 1991)