Towards the Light-Filled Shore

Title
Towards the Light-Filled Shore
LC Subject
Drawing Landscape drawing Copper Aluminum graphite (mineral) copper (metal) aluminum (metal) silver leaf drawing (image-making) drawings (visual works)
Creator
Caprario, Kathleen
Description
A mixed media art piece of a rectangular drawing in the middle of a silver aluminum diamond. The black and white drawing is of a waterscape with mountains in the back and large clouds. Those two layers are placed on a large rectangle of gold leaf with arrows, formed by dots, going counter-clockwise. Kathleen Caprario; Towards the Light-Filled Shore; pencil & metal leaf on paper; 23x30.5 inches; 1994; CapK94090060 caprariok@lanecc.edu The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
View
full
Location
Oregon Health and Science University >> Multnomah County >> Oregon >> United States Multnomah County >> Oregon >> United States
Street Address
3181 S.W. Sam Jackson Park Road, Portland Oregon
Date
1975/2012
Identifier
1995_portland_ohsu_a-h_10_a01
Accession Number
1995_portland_ohsu_a-h_10_a01
Rights
In Copyright
Dc Rights Holder
Caprario, Kathleen
Type
Image
Format
image/tiff
Measurements
31 x 38 inches
Material
Drawing ebony pencil, copper, aluminum, silver leaf on rag paper
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1995 Oregon Health Sciences University. Artists A-H, Portland Oregon 1995_portland_ohsu_a-h
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Note
Oregon Health & Science University (OHSU) was formed in 1974 as the University of Oregon Health Sciences Center. It was renamed Oregon Health Sciences University in 1981 and took its current name in 2001, as part of a merger with the Oregon Graduate Institute of Science and Technology in Beaverton.For a map of OHSU's Marquam Campus, see http://www.ohsu.edu/about/campusmap.pdf
Color Space
RGB
Biographical Information
The western landscapes which I have journeyed through have been a continual source of imagery for my work. The rock and mountain forms I work with are the "actors" in the mythology of my work. The atmosphere surrounding these forms, the cloud forms, the shape of the weather, help to create a sense of expectancy, of waiting for some drama to unfold. The outer border or "framework" of metal leaf helps to separate the inside image from the outside world, much in the same way medieval artists used gold leaf. The use of the metal leaf harkens back to the art of the icon, the leaf being for those artists as "light materialized". (Caprario, 1995)