Paper Roses 6/25
- Title
- Paper Roses 6/25
- LC Subject
- Prints--Technique Etching Chine collé Roses etching (printing process) etchings (prints) printmaking
- Creator
- Comerford, Susan
- Description
- Paper Roses depicts a loose bundle of roses with the wrapping papers in the background and a card attached to a string. The dark outlines on the roses suggest chaos rather than romance. Susan Comerford; Paper Roses; 6/25 etching; 24x18 inches; ohsc nurses unit remodel The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- View
- full
- Location
- Oregon Health and Science University >> Multnomah County >> Oregon >> United States Multnomah County >> Oregon >> United States
- Street Address
- 3181 S. W. Sam Jackson Road, Portland Oregon
- Award Date
- 1985
- Identifier
- 1987_ohsu_nurse-unit_04_a01
- Item Locator
- COM:88-5
- Accession Number
- 1987_ohsu_nurse-unit_04_a01
- Rights
- In Copyright
- Dc Rights Holder
- Comerford, Susan
- Type
- Image
- Format
- image/tiff
- Measurements
- 24 x 18 inches
- Material
- Printmaking etching with Chine Colle
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1987 Oregon Health & Sciences University Nurse's Unit, Portland Oregon 1987_ohsu_nurse-unit
- Has Version
- slide; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- Oregon Health & Science University (OHSU) was formed in 1974 as the University of Oregon Health Sciences Center. It was renamed Oregon Health Sciences University in 1981 and took its current name in 2001, as part of a merger with the Oregon Graduate Institute of Science and Technology in Beaverton. For a map of OHSU's Marquam Campus, see http://www.ohsu.edu/about/campusmap.pdf
- Color Space
- RGB
- Biographical Information
- Roses and a faded photograph represent in this print a memory of an event and emotion that are part of the past, a past as fragile as the crushed paper that the roses are on and even appear to be composed of. An analogy of the transience of event and the ephemeral illusive quality of the emotion we call "love." (Comerford, 1987)
