Alsea Falls
- Title
- Alsea Falls
- LC Subject
- Prints--Technique Serigraphy Waterfalls Trees Rocks Landscape prints Landscapes in art Printing printmaking
- Creator
- Paul, Kenneth (Ken)
- Description
- Landscape depiction of Alsea Falls. The positioning of dark color schemes of trees and rocks in background and foreground, respectively, is contrasted with the white waterfall rushing through the land - creating a balanced imagery. Ken Paul; Alsea Falls; 1983; 5/10 Silkscreen; 15x22 inches papersize; ohsc nurses unit remodel; slide not overexposed The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
- View
- full
- Location
- Oregon Health and Science University >> Multnomah County >> Oregon >> United States Multnomah County >> Oregon >> United States
- Street Address
- 3181 S. W. Sam Jackson Road, Portland Oregon
- Award Date
- 1983
- Identifier
- 1987_ohsu_nurse-unit_16_a01
- Item Locator
- PAU:88-17
- Accession Number
- 1987_ohsu_nurse-unit_16_a01
- Rights
- In Copyright
- Dc Rights Holder
- Paul, Kenneth (Ken)
- Type
- Image
- Format
- image/tiff
- Measurements
- 15 x 22 inches
- Material
- Printmaking serigraphy; silkscreen ink on Lenox 100 rag paper
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1987 Oregon Health & Sciences University Nurse's Unit, Portland Oregon 1987_ohsu_nurse-unit
- Has Version
- slide; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- Oregon Health & Science University (OHSU) was formed in 1974 as the University of Oregon Health Sciences Center. It was renamed Oregon Health Sciences University in 1981 and took its current name in 2001, as part of a merger with the Oregon Graduate Institute of Science and Technology in Beaverton. For a map of OHSU's Marquam Campus, see http://www.ohsu.edu/about/campusmap.pdf
- Color Space
- RGB
- Biographical Information
- This print resulted from a 1983 project exploring screenprinting from direct natural observation rather than in-studio work.
