Respite
- Title
-
Respite
- LC Subject
-
Printing
Block printing
printmaking
papermaking
- Creator
-
Ugrin, Renee
- Description
-
A black and white wood block print of a lake with a short waterfall. There are multiple rocks and one tree on the left upper side, going off of the print.
Renee Ugrin; 18x24 inches; woodbolck print; hand burnished on mulberry paper; corrections print project
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
- Location
-
Oregon State Penitentiary >> Marion County >> Oregon >> United States
Marion County >> Oregon >> United States
- Street Address
-
3405 Deer Park Drive S. E., Salem Oregon
- Date
-
1975/2012
- Identifier
-
1991_correction-print-proj_18_a01
- Accession Number
-
1991_correction-print-proj_18_a01
- Rights
-
In Copyright
- Dc Rights Holder
-
Ugrin, Renee
- Type
-
Image
- Format
-
image/tiff
- Measurements
-
18 x 24 inches
- Material
-
Printmaking
woodblock print (cherry wood), on handmade mulberry paper imported from Japan
- Set
-
Oregon Percent for Art
- Primary Set
-
Oregon Percent for Art
- Relation
-
1991 Oregon Correction Print Project (Salem)
1991_correction-print-proj
- Has Version
-
slide; color
- Institution
-
Oregon Arts Commission
University of Oregon
- Color Space
-
RGB
- Biographical Information
-
"I hope that this work will enhance the lives of those who's efforts are focused on bringing a balance and harmony to our society. It was a pleasure to be able to participate in this project. My own work is based on the enduring relationship between humankind and Nature. This print was burnished or printed entirely by hand (by the artist), and is the first edition printed at Stonewood Studio, in Damascus, Oregon. This area was once a vast farming community but is being endangered by the ever expanding highway system, because of my interest in Nature and our relationship with the natural world I am constantly amazed, bemused and sometimes alarmed at the lack of consideration for the aesthetic when we plan our communities in this beautiful place. My work occasionally reflects these concerns as well as the sensual and spiritual relationship we have with nature and how this is reflected in the ideals of the garden space." Ugrin, 1991