Respite

Title
Respite
LC Subject
Printing Block printing printmaking papermaking
Creator
Ugrin, Renee
Description
A black and white wood block print of a lake with a short waterfall. There are multiple rocks and one tree on the left upper side, going off of the print. Renee Ugrin; 18x24 inches; woodbolck print; hand burnished on mulberry paper; corrections print project The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Location
Oregon State Penitentiary >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address
3405 Deer Park Drive S. E., Salem Oregon
Date
1975/2012
Identifier
1991_correction-print-proj_18_a01
Accession Number
1991_correction-print-proj_18_a01
Rights
In Copyright
Dc Rights Holder
Ugrin, Renee
Type
Image
Format
image/tiff
Measurements
18 x 24 inches
Material
Printmaking woodblock print (cherry wood), on handmade mulberry paper imported from Japan
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1991 Oregon Correction Print Project (Salem) 1991_correction-print-proj
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Color Space
RGB
Biographical Information
"I hope that this work will enhance the lives of those who's efforts are focused on bringing a balance and harmony to our society. It was a pleasure to be able to participate in this project. My own work is based on the enduring relationship between humankind and Nature. This print was burnished or printed entirely by hand (by the artist), and is the first edition printed at Stonewood Studio, in Damascus, Oregon. This area was once a vast farming community but is being endangered by the ever expanding highway system, because of my interest in Nature and our relationship with the natural world I am constantly amazed, bemused and sometimes alarmed at the lack of consideration for the aesthetic when we plan our communities in this beautiful place. My work occasionally reflects these concerns as well as the sensual and spiritual relationship we have with nature and how this is reflected in the ideals of the garden space." Ugrin, 1991