Midmorning Mares Tails
- Title
-
Midmorning Mares Tails
- LC Subject
-
Landscape painting
Painting
Watercolorists
Watercolor painting
Art, Abstract
water-colors (paintings)
watercolor (paint)
painting (image-making)
paintings (visual works)
- Creator
-
Buchanan, Caroline
- Description
-
Washes of blue, purple, and pink create a landscape view with a ridgeline in the middle ground. Yellow and orange create an impression of a layer of earth in the foreground.
#3 Klamath Basin Series; Midmorning Mares Tails; watercolor; 22x 30 1981; Caroline Buchanan; Rt 1 Box 2815; Corvallis OR 97330
watercolors@rockisland.com
For more information and images from this artist, please visit: http://www.buchananwatercolors.com/
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: The Council for this location is Arts Central. You may view their website at http://centraloregonarts.com
- View
-
3 of 6 in a series
- Location
-
Shaw Historical Library >> Klamath County >> Oregon >> United States
- Street Address
-
(main campus) 3201 Campus Drive, Klamath Falls, Oregon
- Award Date
-
1981
- Identifier
-
1981_oit_library_02_c01
- Accession Number
-
1981_oit_library_02_c01
- Rights
-
In Copyright
- Dc Rights Holder
-
Buchanan, Caroline
- Type
-
Image
- Format
-
image/tiff
- Measurements
-
22 x 30 inches
- Material
-
Painting
watercolor
- Set
-
Oregon Percent for Art
- Primary Set
-
Oregon Percent for Art
- Relation
-
1981 Oregon Institute of Technology Library
1981_oit_library
- Art Series
-
Klamath Basin Series
- Has Version
-
slide; color
- Institution
-
Oregon Arts Commission
University of Oregon
- Note
-
You may access a pdf campus map at http://www.oit.edu/adx/aspx/adxGetMedia.aspx?DocID=4420,2,1,Documents&MediaID=1783&Filename=CampusMapFinal.pdf
right of entrance, near card catalog
- Color Space
-
RGB
- Biographical Information
-
The Klamath Basin Series was the first phase of a proposal of Icarus' flight to the sun. It starts pre-dawn by the shores of Lake Klamath with the setting moon over the water. It sweeps south, along the west side of the basin, through dawn's light, mid morning with mares tails forming over the swamp, across the fields at midday with cumulous clouds developing. These clouds continue to roll as showers can be spotted across the late afternoon landscape. The clouds dissolve into a sunset over Mt. Shasta. During this sweep through time and changing light, the spectator is also becoming airborne. At the start of the series one is on the shores of the lake. By the Shasta painting, the eye level is on the level of Shasta, with the fields far below. The change is effected by a 5 cm drop of the horizon from painting to painting and a corresponding change in scale. In technique, the paintings were done with repeated wet glazes. The paper was soaked and unmixed color applied. It was then dried, bonding the paint into the fabric of the paper. It was then soaked again and another color applied. This process was repeated up to fifteen times per painting. The colors are thus mixed in the eye of the spectator. For example one can see a red-orange green, but if those colors were mixed before being applied one would have mud. Icarus' Flight was an early technological achievement and perhaps a fitting subject for a technological institution. The library is the place where dreams and facts are brought together. Each student coming there is standing at the shore at the beginning of his/her own flight. By combining technological knowledge and creative thinking each of us can dare to fly to the sun! (Buchanan, 1981).