Hexagonal Curbside Teapot (variation #20) - Yixing Series

Title
Hexagonal Curbside Teapot (variation #20) - Yixing Series
LC Subject
Pottery Stoneware Teapots ceramic (material) stoneware (pottery)
Creator
Notkin, Richard
Description
A whimsical dark brown clay teapot exhibiting two dogs--one in a prone position and the other one in a sitting position. There is a tree stump in between them, all on the top of the teapot. Below the dogs, the teapot sides are textured to resemble a brick wall. There are brown drain pipes utilized as a handle and on the right side as the spout of the teapot. Hexagonal Curbside Teapot (Variation #20) - Yixing Series; Richard T. Notkin; 1993; Stoneware; 4.25 x 8 x 4.20 inches Notkin makes hghly detailed teapots that explore social and political themes. He studied under Ken Ferguson at the Kansas City Art Institute and under Robert Arneson at the University of California.He is known for his socio-critical tile mural "The Gift," and his sculptural re-interpretations of the Yixing teapot. The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
View
front
Location
Public Service Building >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address
255 Capitol St. N. E., Salem Oregon
Award Date
1993
Identifier
1991_salem_pub-ser-bldg_15_a01
Accession Number
1991_salem_pub-ser-bldg_15_a01
Rights
In Copyright
Dc Rights Holder
Notkin, Richard
Type
Image
Format
image/tiff
Measurements
4 1/4 x 8 x 4 1/8 inches
Material
Ceramic art stoneware
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1991-1993 Salem Public Service Building 1991_salem_pub-ser-bldg
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Color Space
RGB
Biographical Information
This piece is one in a series of teapots I have made since 1983. Technically and aesthetically inspired by the unglazed stoneware teapots from Yixing, China, 16th century through the present, my interpretations incorporate contemporary imagery from my culture. Often, the teapots in the "Yixing Series" contain social and political commentary. (Notkin, 1991)