Valley

Title
Valley
LC Subject
Sculpture Outdoor sculpture Bronze Wood Basalt Stainless steel outdoor sculpture public sculpture sculpture (visual work) stainless steel wool (textile) bronze (metal) basalt (basic igneous rock)
Creator
Lofquist, Janet
Description
This view presents a contextual setting for the outdoor sculpture, Valley, which consists of an inverted, concave cone that hovers just above the ground amidst four unfinished boulders. The convex base of the cone hangs above it, off to the side, and it appears to double as an awning for the entry way to the Food Innovation Center. Janet Lofquist; 1999; Valley; Brian Foulkes The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
View
side, outdoor artwork
Location
Food Innovation Center, Oregon State University >> Multnomah County >> Oregon >> United States Multnomah County >> Oregon >> United States
Street Address
1207 N. W. Naito Parkway, Portland, Oregon
Date
1975/2012
Identifier
1998_osu_food-inno-ctr_01_b01
Accession Number
1998_osu_food-inno-ctr_01_b01
Rights
In Copyright
Dc Rights Holder
Lofquist, Janet
Type
Image
Format
image/tiff
Material
Sculpture stainless steel; cast bronze; wood; camas basalt
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1998 Oregon State University Food Innovation Center 1998_osu_food-inno-ctr
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Color Space
RGB
Biographical Information
For the Food Innovation Center I have installed two public art projects; an interior installation on the west lobby wall and an outdoor piece on the north corner of the plaza. Both of these pieces contain sculptural elements that not only refer to the context of the facility but also reflect the Oregon landscape. They not only compliment each other but also respond to the architecture of the Food Innovation building. The spatial arrangement of the interior installation, “Preserved,” contrasts with the grounded and contained nature of the exterior piece. Using a repeat pattern, sculptural images seem to float across the lobby wall. Glass
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