Three Hearts
- Title
- Three Hearts
- LC Subject
- Painting Acrylic painting painting (image-making) paintings (visual works) acrylic paintings (visual works)
- Creator
- Mattingly, James (Jim)
- Description
- Three hearts, presented at skewed angles with differing patterns occupy the center, white space in this piece. The peripheral is filled with layers of pattern and color. Three Hearts; James T. Mattingly; 2 acrylic on taveck; 32.75 x 42.75 inches; 7/88 The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
- Location
- Western Oregon University >> Polk County >> Oregon >> United States Polk County >> Oregon >> United States
- Street Address
- 345 N. Monmouth Ave., Monmouth Oregon
- Award Date
- 1988
- Identifier
- 1989_wosc_dorm_03_a01
- Item Locator
- MAT: 89-22
- Accession Number
- 1989_wosc_dorm_03_a01
- Rights
- In Copyright
- Dc Rights Holder
- Mattingly, James (Jim)
- Type
- Image
- Format
- image/tiff
- Measurements
- 32.75 x 42.75 inches
- Material
- Painting acrylic
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1989 Western Oregon State College dormitory (I-Z) 1989_wosc_dorm
- Has Version
- slide; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- This artwork was awarded in 1989 to Western Oregon State College (WOSC). WOSC became Western Oregon University in 1997. For a map of the campus, see http://www.wou.edu/wou/maps/ second floor
- Color Space
- RGB
- Biographical Information
- This piece is from a series of "heart" works that were first exhibited in a solo show in Sept/Oct 88 in Campbell Hall, WOSC, upon the completion of a sabbatical leave I took in 1987/88. The heart theme is based on that long used affectionate symbol in western civilization; I have employed it for its associated, positive attributes. This piece as any others from the series, becomes meaningful I think, not in any particular representational properties that hearts may have, but rather in the juxtapositioning of visual forms, colors, lines, and textures that occurs in their residual two dimensional spaces.
