Beach Cave, Cannon Beach, Oregon, 1982
- Title
- Beach Cave, Cannon Beach, Oregon, 1982
- LC Subject
- Photography Outdoor photography Nature photography Landscape photography Photography of water art photography black-and-white photography nature photography photography (discipline)
- Creator
- Harding, Goodwin
- Description
- A black-and-white photograph from the interior of a cave, looking out onto a rocky coastline. Beach Cave, Cannon Beach, Oregon, 1982; Goodwin Harding; platinum/palladium print; 8 x 10 inches The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
- Location
- Western Oregon University >> Polk County >> Oregon >> United States Polk County >> Oregon >> United States
- Street Address
- 345 N. Monmouth Ave., Monmouth Oregon
- Award Date
- 1983
- Identifier
- 1989_wosc_dorm-vol-I_14_b01
- Item Locator
- HAR: 89-16
- Accession Number
- 1989_wosc_dorm-vol-I_14_b01
- Rights
- In Copyright
- Dc Rights Holder
- Harding, Goodwin
- Type
- Image
- Format
- image/tiff
- Measurements
- Image 8 x 10 inches; Frame 15 x 18 inches
- Material
- Photography platinum/palladium photograph on rag paper
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1989 WOSC (Western Oregon University) Dormitory, Vol. 1 (A-H) 1989_wosc_dorm-vol-I
- Has Version
- slide; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- This artwork is also listed as being awarded in 1989 to the State Lands Building in Salem, Oregon. To view a campus map, see http://www.wou.edu/online_catalog/display/campus_maps.php fourth floor lounge
- Color Space
- RGB
- Biographical Information
- For me Beach Cave is a primordial image, one which represents, symbolically, the fecundity of the ocean, while at the same time presents an equivalent impression of the experience of being born. Masculine and feminine elements seem fused on both a physical and spiritual level within this most sublime and heroic landscape. Unlike our eyes, the camera, as it gathers light over time, can present distilled reflections of such dynamic interactions. (Harding, 1989.)
