The Audience

Title
The Audience
LC Subject
Sculpture Metal sculpture Aluminum Figure sculpture Sculpture, Abstract aluminum (metal)
Creator
Morandi, Thomas (Tom)
Description
A detailed view of a female aluminum figure. She has her right arm resting entirely on an aluminum shape, her left elbow also rests on that shape, while her hand is touching the side of her neck. The hair of the figure features abstract pieces of aluminum protruding in all different directions. EOSC detail; LOSO Hall; Morandi Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989. tmorandi@comcast.net; tmorandi@oregonstate.edu The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
View
detail
Location
Loso Hall, Eastern Oregon University >> Union County >> Oregon >> United States Union County >> Oregon >> United States
Street Address
One University Boulevard, La Grande Oregon
Date
1975/2012
Identifier
1990_eou_loso-hall_18_a09
Item Locator
MOO:90-16
Accession Number
1990_eou_loso-hall_18_a09
Rights
In Copyright
Dc Rights Holder
Morandi, Thomas (Tom)
Type
Image
Format
image/tiff
Measurements
8 x 30 x 3 feet
Material
Sculpture; Metalwork; cast aluminum
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1990 Eastern Oregon University Loso Hall 1990_eou_loso-hall
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Note
This award was originally made to enhance Loso Hall at the Eastern Oregon State College. In 1997 Eastern Oregon State College became Eastern Oregon University. For a campus map, detailing the location of Loso Hall, see http://www.eou.edu/visitor/map/
Color Space
RGB
Biographical Information
This sculpture is a play between illusion and reality; the viewer and the viewed. The figures are, in essence, body masks. They are intended to reflect the postures and attitudes of a typical audience. However, a number of the figured pay whimsical homage to some well known images in Western art. God giving life to Adam on the ceiling of the Sistine Chapel; Cherubs; Jesters; etc. The sculpture is aggressively frontal. As the viewer shifts perspective the hollowness and two-dimensionality of the figure is evident, just as the reality of a play dissolves when one walks behind the set. (Morandi, 1990)