view 3

Title: view 3
LC Subject: Art metal-work Sculpture Bronze sculpture Sculpture--Technique Metal sculpture Metal-work sculpture (visual work) public sculpture outdoor sculpture bronze (metal)
Creator: Morandi, Thomas (Tom)
Description: A bronze exterior installation piece that extends around a recessed entrance to the State Capitol and is broken up into sections that resemble the build-up of organic forms. Tom Morandi; oregon state capital vol II Tom Morandi received his B.S. in Art Education from Indiana University of Pennsylvania in 1966 and his M.F.A. in Sculpture from Ohio University in 1971.He has been a Professor of Art at Oregon State University since 1989. tmorandi@comcast.net; tmorandi@oregonstate.edu The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
View: model of sculpture, detail
Location: Oregon State Capitol >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address: 900 Court Street N.E., Salem Oregon
Date: 1975/2012
Identifier: 1976_st-cap-bldg-wings2_24_a08
Accession Number: 1976_st-cap-bldg-wings2_24_a08
Rights: In Copyright
Dc Rights Holder: Morandi, Thomas (Tom)
Type: Image
Format: image/tiff
Measurements: 6 x 30 x 18 feet
Material: Sculpture; Metalwork bronze
Set: Oregon Percent for Art
Relation: 1976-1978 Salem Oregon State Capitol Building Wings, Vol. 2 1976_st-cap-bldg-wings2
Has Version: slide; color
Institution: Oregon Arts Commission University of Oregon
Note: The 1 1/4 ton sculpture on which Tom Morandi worked for nearly a year in his studio in Lowell, Oregon was cast from bronze, using the resin sand process. Of the problems inherent in creating a relief sculpture for an area such as the State Street entrance facade, Morandi said, "Put simply, sculpture in its truest form is the control of space. Standard relief sculpture with its elimination of all but one side makes this extremely difficult. The solution it seems , lies in developing forms that rely on the specific contours of the site rather than ignoring or attempting to make them." above south (State Street) entrance
Color Space: RGB