Emergence
- Title
-
Emergence
- LC Subject
-
Sculpture, Abstract
Public sculpture
Aluminum
Aluminum, Structural
Light emitting diodes
sculpture (visual work)
<sculpture by function>
lighting fixtures
light art
aluminum (metal)
steel (alloy)
- Creator
-
Teneau, Peter V.
- Description
-
This view depicts a detail of a mixed media sculpture that combines red lights and angular forms in a formation on the ceiling.
22 feet 8 x 9 x 6 feet; LED light through acrylic plastic sheet & hardboard (painted), aluminum and steel support structure
Peter V. Teneau was born in 1929 in New Rochelle, New York, US.
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
- View
-
side
- Location
-
Lawrence Hall >> Lane County >> Oregon >> United States
Lane County >> Oregon >> United States
- Street Address
-
1190 Franklin Street, Eugene Oregon
- Award Date
-
1991
- Identifier
-
1991_uo_lawrence-hall_21_a01
- Accession Number
-
1991_uo_lawrence-hall_21_a01
- Rights
-
In Copyright
- Dc Rights Holder
-
Teneau, Peter V.
- Type
-
Image
- Format
-
image/tiff
- Measurements
-
22 feet, 8 x 9 x 6 feet
- Material
-
Sculpture
LED light, acrylic plastic sheet, hardboard, aluminum, steel
- Set
-
Oregon Percent for Art
- Primary Set
-
Oregon Percent for Art
- Relation
-
1991 University of Oregon Architecture & Allied Arts Lawrence Hall
1991_uo_lawrence-hall
- Has Version
-
slide; color
- Institution
-
Oregon Arts Commission
University of Oregon
- Note
-
An interactive campus map of the University of Oregon may be viewed at: http://map.uoregon.edu/
Central staircase
- Color Space
-
RGB
- Biographical Information
-
"This piece (as with every sit specific work) is a response to a complex of factors: the physical site (limitations and opportunities it offers); ideas, orientation, and capacities of the artist; and finally provisions of the commission agreement, though vital and challenging to the process of producing the artwork such matters are irrelevant to 'seeing' the piece. I believe that 'seeing' is entirely a matter of what a viewer brings to the piece in terms of open-mindedness and personal experience. The piece may then extend from itself containment and a connection result between it and the viewer. Such is sometimes the case and sometimes not, but a statement by me would not further a naturally formed connection. To answer a technical question: light comes from 'L.E.D.s' (light emitting diodes) and the entire piece consumes about 150 watts in continuous service - so it meets a self imposed criteria of high efficiency, low power, and virtually unlimited life without maintenance." Teneau, 1991