Double Focus/Triple Vision
- Title
- Double Focus/Triple Vision
- LC Subject
- Painting Acrylic painting Street lighting acrylic paint acrylic painting (technique) acrylic paintings (visual works) painting (image-making) paintings (visual works)
- Creator
- O'Reilly, Julia
- Description
- An acrylic painting of a city's nightlife hours. Only one lamp illuminates the outside. The other lights eminate from the inside of what appears to be restaurants. There is a stop sign on the left side of the piece, and a curvy faceless woman in a turquoise colored dress walking towards the viewer. Acrylic on canvas; 32 x 38 inches, 1990 The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
- View
- full
- Location
- Lawrence Hall >> Lane County >> Oregon >> United States Lane County >> Oregon >> United States
- Street Address
- 1190 Franklin Street, Eugene Oregon
- Award Date
- 1990
- Identifier
- 1991_uo_lawrence-hall_15_b01
- Item Locator
- OR:91-13
- Accession Number
- 1991_uo_lawrence-hall_15_b01
- Rights
- In Copyright
- Dc Rights Holder
- O'Reilly, Julia
- Type
- Image
- Format
- image/tiff
- Measurements
- 32 x 38 inches
- Material
- Painting acrylic on canvas
- Set
- Oregon Percent for Art
- Primary Set
- Oregon Percent for Art
- Relation
- 1991 University of Oregon Architecture & Allied Arts Lawrence Hall 1991_uo_lawrence-hall
- Has Version
- slide; color
- Institution
- Oregon Arts Commission University of Oregon
- Note
- An interactive campus map of the University of Oregon may be viewed at: http://map.uoregon.edu/ In the hall outside the slide library
- Color Space
- RGB
- Biographical Information
- "Since childhood, I've been seduced by a world of light and color, and the unknown, the hidden and the bold. Cities at night embody all these things, and I keep finding myself drawn to investigate this urban land. Working from sketches, slides and imagination, I take familiar scenes from urban night-life and re-combine them. In the context of painting as a process, images merge with the world of dreams and the unconscious. If I can stay honest in the process, what emerges has relevance to someone besides myself." O'Reilly 1991
