Keystone

Title
Keystone
LC Subject
Sculpture Granite Installations (Art) Bronze Sculpture--Themes, motives Outdoor sculpture sculpture (visual work) public sculpture outdoor sculpture bronze (metal) granite (rock)
Creator
Beyette, Pam
Description
This piece consists of five different sculptural forms that depict an antique key and keyholes. This particular view presents a view of the antique key form and an upright version of the keyhole. Pam Beyette; basalt and bronze; Oregon Public Safety Academy; Quad Plaza; Salem, Oregon The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Location
Department of Public Safety Standards and Training >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address
4190 Aumsville Hwy., S. E., Salem Oregon
Date
1975/2012
Identifier
2005_dpsst_training_cntr_02_a01
Accession Number
2005_dpsst_training_cntr_02_a01
Rights
In Copyright
Dc Rights Holder
Beyette, Pam
Type
Image
Format
image/tiff
Material
GE 50-Year Pure RTV Silicone (as a seal over the lower portion of the steel pipe for rust prevention); DAP Concrete Sealer (in a ring around the perimeter to adhere the stone to the concrete); Touchstone Two-Part Epoxy (made by Bondstone Material Corp., used on the upper pipes to adhere pipe to stone, also used to anchor the bronze key pins into the concrete). Sculpture granite, bronze; installation sculpture
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
2005 Department of Public Safety and Security Training Center 2005_dpsst_training_cntr
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Color Space
RGB
Biographical Information
I chose the key as a symbol of knowledge and guardianship in the realm of public safety. The key and stone sculptures' distinct silhouettes serve as plaza sentinels, offering entry to the great lawn and opportunities to pause and reflect. The stone sculptures, cut from one piece of columnar basalt, disassembled and rearranged, metaphorically unlock understanding and provide solutions. The columnar basalt exterior is left in its natural state. As the shapes emerged, different surfaces were cut, flamed and polished. The stone's glossy surfaces echo images of passersby and reflect natural light. The installation captures the qualities of protection, service and knowledge. (Beyette, 2006)