Sidewalk Landscape #2

Title
Sidewalk Landscape #2
LC Subject
Photography Drawing Drawing--Themes, motives Sidewalks mixed media art photography photography (discipline)
Creator
Benson, Andrea
Description
This photograph of a section of sidewalk incorporates drawn elements that aid in the translation of sidewalk as landscape. Andrea Benson; Sidewalk Landscape #2; '88; State Office Building- Portland (Geology Dept.) The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Location
Portland State Office Building >> Multnomah County >> Oregon >> United States Multnomah County >> Oregon >> United States
Street Address
800 N.E. Oregon, Portland Oregon
Award Date
1988
Identifier
1989_psob_geology-dept_01_a01
Accession Number
1989_psob_geology-dept_01_a01
Rights
In Copyright
Dc Rights Holder
Benson, Andrea
Type
Image
Format
image/tiff
Measurements
16 x 20 inches (mounted)
Material
Mixed media; Photography photo, colored pencil, pastel
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
Portland State Office Building Geology Department (1989) 1989_psob_geology-dept
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Note
Geology Department
Color Space
RGB
Biographical Information
I photographed the sidewalks because I see an interesting beauty in the cracks and the shapes, in the debris. Its already a little drawing already there at our feet and it is this record of interaction between humans and the environment. I use this photo as a base and a guide to draw on and make into something more, like taking an old piece of fabric and putting it into a quilt- its still an old piece of fabric but now its also something more. These three pieces are landscapes to me, in the original sense of being a sidewalk and a little landscape we step on, but also now as a small mountain landscape or little mountain ranges, but they don't have to be that. They are whatever the viewer sees or feels in them. Mostly I want to look at them and feel some sense of visual ""rightness"" or satisfaction (Benson, 1989).