Great Sand Dunes

Title
Great Sand Dunes
LC Subject
Color photography Photography Sand dunes Nature photography art photography color photography nature photography photography (discipline)
Creator
Zee, Allan Bruce
Description
A color photograph of sand dunes. The image captures the lightness of the sun-lit dunes, contrasting with the shadows between the dunes. There are visible tracks in the sand. Allan Bruce Zee ©; Sand Dune, photo; #477; Revenue bldg., 1981 Allen Bruce Zee has been exploring the art of photography since 1969. It is often the intimate view that is most intriguing to him--the landscapes in the hood of a rusting auto, the intricacies of a ponderorsa bark, or the nautilus-like spirals of a staircase. He uses a painterly approach to his color work; the black and white photographs are imbued with an ethereal quality. The varied imagery is unified by a style that distills the visual reality into a transformed vision. His prints have been exhibited throughout the country and are in prominent collections. (promotional material, 1985) The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Location
Oregon Department of Revenue >> Marion County >> Oregon >> United States Marion County >> Oregon >> United States
Street Address
955 Center St. N. E., Salem Oregon
Award Date
1975
Identifier
1986_salem_rev-bldg_13_c01
Item Locator
ZEE: 81-16
Accession Number
1986_salem_rev-bldg_13_c01
Rights
In Copyright
Dc Rights Holder
Zee, Allan Bruce
Type
Image
Format
image/tiff
Measurements
23 x 31 inches
Material
Photography Color Photograph
Set
Oregon Percent for Art
Primary Set
Oregon Percent for Art
Relation
1986 Salem Revenue Building, Salem Oregon (Vol. II) 1986_salem_rev-bldg
Has Version
slide; color
Institution
Oregon Arts Commission University of Oregon
Note
fourth floor
Color Space
RGB
Biographical Information
In my work I attempt to resonate with the objective reality the eye sees and distill the vision into another essence, another reality of form, color, and feeling. In this series, dunes become bodies, hills emerge as layers of watercolor, a green century plant becomes a sensual blue flower through the use of color infrared film, and floating pine needles take on an oriental meditative character. (Zee, 1981.)