The Sea-Wet Rocks
- Title
-
The Sea-Wet Rocks
- LC Subject
-
Painting
Landscape painting
painting (image-making)
paintings (visual works)
oil paintings (visual works)
- Creator
-
Caprario, Kathleen
- Description
-
A scene depicting a mild day at the coast is surrounded by squares of neutral tones that contain a combination of arrows and crosses.
The Sea Wet Rocks; 9 x 42 x 0.75 inches; oil, wax, aluminum, metal, leaf on wood panel
caprariok@lanecc.edu
The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org
- Location
-
William W. Knight Law Center >> Lane County >> Oregon >> United States
Lane County >> Oregon >> United States
- Street Address
-
1515 Agate Street, Eugene Oregon
- Award Date
-
1999
- Identifier
-
1998_uo_knight-law_14_b01
- Accession Number
-
1998_uo_knight-law_14_b01
- Rights
-
In Copyright
- Dc Rights Holder
-
Caprario, Kathleen
- Type
-
Image
- Format
-
image/tiff
- Measurements
-
9 x 42 x 0.75 inches
- Material
-
Painting
oil, wax, aluminum, metal, leaf on wood panel
- Set
-
Oregon Percent for Art
- Primary Set
-
Oregon Percent for Art
- Relation
-
1998-1999 University of Oregon Knight Law Center moveable and integrated artwork
1998_uo_knight-law
- Has Version
-
slide; color
- Institution
-
Oregon Arts Commission
University of Oregon
- Note
-
An interactive campus map of the University of Oregon may be viewed at: http://map.uoregon.edu/
second floor, above elevator entrance near John J. Jaqua Law Library
- Color Space
-
RGB
- Biographical Information
-
Western landscapes have been a continual source of imagery in my work since I moved to the Northwest in 1977. I seek to express the monumental awe and transcendent nature of the land on an intimate and personal scale. The once-architecturally inspired abstract forms that reflected the experience of living in the New York area have been transformed over time into the architectonic shapes of western rock formations and the openness of the seemingly infinite space. Light is used as an element that creates a sense of expectancy--a waiting for some drama to unfold--with the viewer being the solitary witness to that event and time. The leafed area surrounding the central drawing or painting is an integral part of each artwork and provides a separation between the interior image and the outside world in much the same way as medieval artists used gold leaf as "light materialized." I have an eclectic interest in design and have been influenced by the repetitive structures and motifs of Italian Renaissance decorative arts, Native American art, and Byzantine mosaics. (artist bio from http://artistsregister.com, viewed 02-21-07)