Ode to a grand staircase (for four hands)

Title
Ode to a grand staircase (for four hands)
LC Subject
Satie, Erik, 1866-1925 Adaptations
Repository
University of Oregon. Design Library
Creator
Tetenbaum, Barbara Chen, Julie
Contributor
Satie, Erik, 1866-1925
Description
Ode to a Grand Staircase (for four hands) is based on composer Erik Satie's The March of the Grand Staircase (1914) and it's silent libretto-- musical notes that Satie forbade to be read aloud. The book is housed in a red, cloth covered box with a magnetic closure. The inside back of the case lists facts about Satie. The french-door structure of the book has a central cutouts, so that each page reveals something of the pages to come. Each of the two spines is made up of a shallow accordion fold, with pages glued to the folds in the manner of a flag book. When the covers are pulle out the pages stand out immitating the form of a staircase. When fully extended and viewed from above, the staircase/ piano key motif is further apparent. Signed by the artists
State Edition
No. 52 in an edition of 100
Work Type
folded books Flag book French door books
Issued
2001
Identifier
Chen_Odet_02
Item Locator
N7433.4.C55 O34 2001
Rights
In Copyright
Language
English
Publisher
Flying Fish Press Triangular Press
Type
Image
Format
image/tiff
Measurements
19 x 97 cm. folded to 19 x 17 cm
Set
Artistsʼ Books at the University of Oregon Libraries
Primary Set
Artistsʼ Books at the University of Oregon Libraries
Institution
University of Oregon
Mode Of Issuance
monographs; Editioned
Place Of Production
Berkeley >> Alameda County >> California >> United States Portland >> Multnomah County >> Oregon >> United States
Description Of Manifestation
The story in this book comes from The March of the Grand Staircase, composed by Erik Satie in 1914; Ode to a Grand Staircase (For Four Hands) is a visual dialog created by Julie Chen and Barbara Tetenbaum, who found their inspiration in the work of composer Erik Satie. The text is derived from the musical directives and silent librettos which accompanied his scores. Thanks to Anna Sacramento for production assistance and to Claudia Wober for the translation. We dedicate this book to the memory of two men, Peter Chen and David Tetenbaum, whose lives inspired the music in our own.