Pottery: red-figured column-krater. (a) Symposion. Two bearded men recline to left on two couches, leaning left arm on striped cushions; the one on the right has a broad radiated band (ampyx?) tied in a bow behind the ear, with end hanging down; he raises on his right a phiale, addressing his companion, who turns towards him, holding up in his right by the stem a large kylix; this one is wreathed, and has his left arm wrapped in his mantle; both have the legs draped. In the foreground between the two a flute-player stands, to right, playing on flutes; she wears a long chiton with apoptygma, and her hair is looped up with a radiated fillet. In the background hang a taenia (on left) and a ring-shaped object (wreath ?). In front of each couch is a table, on which is a dish with flowers. (b) Three draped ephebi. The one on left moves away to left, looking back at the other two; his right arm projects over the border of the design. The central one holds a staff. In the field hangs a pair of halteres (jumping-weights). Style late and careless. Yellowish-white is used for wreath and fillet of flute-player and flowers. Round the lip, in black silhouette on red, two pairs of animals, a lion and boar, stepping towards each other. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) Peleus seizing Thetis. Peleus, beardless and wreathed, with short chiton and apoptygma, striding forward from left, has locked his arms around the body of Thetis, his hands clasped on her left shoulder. She moves away to right, looking round to left and extending her right arm, on which is an arching snake which bites the back of Peleus' head. She wears a long chiton, over which is a second long chiton of thicker material, undertied and with apoptygma, decorated with rows of dots and zigzags, and a necklace of beads. (b) A bearded satyr running at full speed to left, with one arm extended in front, the other behind, like the runners in the short foot-race on Panathenaic amphorae. Large style. Purple wreath. Fine brown inner markings, and folds of the upper part (not apoptygma) of Peleus' chiton. Eye in transition type. The hair of Peleus is edged with single wavy lines. Below, a thin purple line. Round the lowest part of the body, rays; round the neck, linked lotus-buds. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
Pottery: red-figured column-krater. (a) The death of Procris. Procris, in a short chiton which leaves her right shoulder bare, falls wounded to right, with her left hand and knee on raised ground with her right she vainly tries to pull out the spear which has pierced her beside the right breast; her head, en face, falls on her right shoulder, and her eyes are closed above her to the left, a Harpy (?) waiting for her soul. On the left, Kephalos with chlamys and petasos at back, resting right on a club, stands en face, looking on, beating his forehead with his left with a gesture of sorrow. His hound, which he holds by a cord round its neck, stands with nose raised, sniffing at Procris. On the right Erechtheus, the father of Procris, rushes forward, extending his right arm with a gesture of dismay; he is bearded and wreathed and has a mantle, and a sceptre along his left arm. (b) Three draped ephebi conversing: the central one looks to right, the two others staff in hand. Late stage of large style. Purple cord and ground-line. Brown inner marking and edge of hair. Eye in profile. On each side of each design, ivy pattern; above, tongue pattern; forming panel. Round the neck and on the upper surface of the lip, linked lotus-buds; round lip, ivy pattern; on the upper surface of each handle, a palmette. All these patterns black on red. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893