Manuscript document. Title devised by cataloger., Collation: Parchment, single leaf, two pages., Decoration: Large initials in red or blue, and non-musical script in red. Music lines are in red, and the notes and corresponding text are in black. On the verso, the initials in black have some flourishing., Binding: disbound., Lettering: Written in Gothic script (textualis prescissa).
Manuscript document. Title devised by cataloger., The text begins with a continuation of Apocalypse 21:19, finishing at the twenty first line of the page. Apocalypse 22 begins at the twenty-second line and makes up the rest of the text of the leaf. Verso is blank., Collation: single sheet., Decoration: One decorated initial in red with blue flourishing; roman numeral XVII alternates between red and blue; last two words in the second column are red; and the rest of the text is in black, with red marks showing the beginnings of new sentences., Binding: disbound.
Manuscript document. Title devised by cataloger., The leaf contains the entirety of Jeremiah 5. Recto: Mias heading is the tail end of Jeremias. Decorated C begins Jeremiah 5. Verso: Jere heading is the beginning of Jeremias. Decorated C begins Jeremiah 6. Text ends at Jeremiah 6:16, State super vias et..., Collation: Parchment, single sheet., Origin: France?, Lettering: Written in Gothic book hand (textualis prescissa sine pedibus)., Decoration: Mias heading in blue (recto) and Jere heading in red (verso). Initial C (recto) in red with blue flourishing, Roman numerals in red. Initial C (verso) in blue with red flourish. Text is in black ink. Vertical and horizontal ruling still visible., Binding: Disbound.
Manuscript document. Title devised by cataloger. Two leaves from a manuscript book of hours, with illuminations depicting the tree of Jesse and the transfiguration of Jesus., Lettering: Written in an Italian humanistic bookhand., Leaf MS 113a: (r): International/Neo-Gothic style architectural frame in gold leaf, washed vermillion and grisaille. Two putti in grisaille with gold leaf wings are on the top left and right of the frame, and a final central putti in the same technique at the bottom. Each side of the frame has one grisaille child-figure. Jesse rests on a blue bed decorated in gold. Jesse is robed in gray and blue. The tree is fully in gold leaf with black outlines. There are six figures on each side, with the Virgin Mary and child at the top center. The twelve figures are variously clothed using blue, vermillion, gold leaf, and green pigments. The Virgin Mary's mandorla and crown are in gold leaf. (v): Border around text is in gold leaf with red outlines. The main text is in black, with the bottom four lines in red. The tree branch and final word Oratio are in gold leaf. Leaf MS 113b: (r): Border is fully in gold leaf, with a heavily foliated decoration in red, green, and blue. A bird can be found towards the bottom left, and a winged insect (a moth perhaps?) sits towards the bottom right corner. The illumination is further framed in an acanthus order column and arch frame in gold leaf with red borders. Christ stands center with a white rob, and his skin, halo and mandorla are in gold leaf. Moses, top left, is robed in white and blue and holds the commandments in gold leaf. Elijah, top right, is robed in black and white with gold leaf accents. The bottom three figures, John, James, and Peter (order unknown) are clothed in blue, white, and gold leaf. They are situated against a green landscape and blue skyline. The text underneath the illumination has a illuminated initial I in blue against a red and gold leaf background. The text is faded black. (v): The border around the text is gold leaf with red outlines. An illuminated O begins the text. It is blue, with a gold leaf background and a red flower in the center. The text is in a faded black. The tree branch and final four lines are in gold leaf., Binding: Disbound.
Manuscript document. Title devised by cataloger., Scope and content: Notebook on astronomy: the Elements, the Senses. Institutionum Physicarum, books 6, de Astronomia, 5, of 4 elements, 4th of senses, heat, cold ice, odor, taste, sound, sight., Text mentions astronomical events in 1783 and 1791. With 8 page booklet in English by Edward Sandford Burgess, written in black ink. According to Burgess, the manuscript was written in Paris by a student from, possibly, Italy, circa 1760-1783. Burgess describes a manuscript on astronomy, in which, among other things, the author attacks Ptolemy and Tycho, citing Kepler. He reconciles the Bible and Science, justifying Joshua for saying 'Siste sol', since he was referring to the real motion of the earth to the sun; it was more natural to address the Sun than to say 'Earth stand still'. The Copernicans themselves speak of the motion in terms of the Sun as the moving body, and say, 'The sun falls, the sun rises.' Burgess also describes sections dealing with the five senses. With loose paper label upon which is written in black ink: Latin Ms. on paper/ astronomy / 17th or 18th c., Collation: Octavo. Page numbering restarts in various sections; not all pages numbered; some blank pages. 12 ink diagrams tipped in., Origin: Paris?Script: Cursive in brown ink with ascender and descender flourishes., Binding: White alum-tawed parchment over boards. Red morocco spine label with gold stamped letters Institutionum Phisicarum LIBER--Manuscript and two gold lines above and below words. Endsheets of marbled paper, blue on white with black and dark red. Pages have holes from a previous side-sewn binding of 9 stations. Two additional flyleaves of thicker paper (late 19th-early 20th century).
Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
Manuscript codex., This manuscript appears to be a fragment of a larger commentary examining the book of John, or possibly a priest's sermon notes., Collation: 6 leaves., Decoration: Initials spanning 2 lines (5 mm). Straight quadrille lines with small circles at vertices, connecting 3 or more sentences, red underlining., Binding: On 26.5x19 cm, 6 mm thick wood board with chamfered interior edges; hinge and spine of brown leather covering 1/3 of front and rear covers; front rear flyleaves of laid rag paper., Lettering: Written in very small, much abbreviated Gothic script., Formatted Content Note: 1r, col 1. cum semper dixerim veritatem. Jo. xiiij. ego sum via veritas / et via Rom. iij est autem deus verax. / cum semper nos moneam primum[...] -- 6v [mittetur] Notandum quod recundum philosochos homo arbor enerja est eius capilli.
Manuscript codex., This translation is by humanist scholar Leonardo Bruni. Probably made from a manuscript brought to Italy by Chrysoloras., Collation: Small folio in quires I-II__, III__., Decoration: 2 initials in red with very fine blue tracery, and in blue with red tracery. f1r [initial large majuscule red 'Q']UI LAUDANT SACTITUTEM TUAM/ bearissime pater opus certe bonum ac pium agere/ pergunt. [TRANSLATION] THOSE WHO PRAISE YOUR HOLINESS, most blessed father, certainly continue to drive the good and pious work. f1r [Superscript marginal addendum in cursive hand] Platonis Phaedon, sive de animo in Leonardo Arentino (latine redditum) f1v [Initial Blue 'I'] PSE affuisti o Pheton ea die qua Socrates venenum bibit in carcere. An ab alio quodam audivisti. [TRANSLATION] Oh Phaeton, were you yourself present on this day when Socrates drinks poison in prison, or did you hear from someone else?, Binding: Contemporary binding of gray linen with olive morocco back with title in gilt: PHAEDON E VERS. LEON ARENTI., Script: upright humanistic Roman hand with much abbreviation.