This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. In this contextual view from the north side, two of the four sides are visible. The longer side depicts an eye form in the center, surrouned by a fish form, what appears to be a beaver form, and a bird form. The shorter side presents an eye form with two hands below it., The Gaurdian; Mark Sponenburgh; east and north side; Veterinary Hosp. (OSU), "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
This print depicts interaction between a fish form and a bird form, rendered in print with the appearance of scratchings through deep black space., Frank Boyden was born 1942, in Portland, OR. He attended Yale University, School of Art, achieving a M.F.A. and B.F.A., in Painting, 1968. In 1965, he attended Colorado College, where he received a B.A. in Art., http://www.laurarusso.com/artists/boyden.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Executive Building Clerestory provides a science fiction ambiance with its deep blues and white circular shapes. The linear progression of the piece further speaks to that of the surreal. This is the overview of the piece observed from below., Ed Carpenter; 1979; executive bldg; salem, http://www.edcarpenter.net/profile/EdCarpenter_resume.application/pdf, info@edcarpenter.net, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Multicolored lines populate the bottom of this print that presents what appears to be the profile of a yellow bird's head on a blue background. The bird's beak is slightly open and a red arrow and a blue arrow point away from it, toward the left., C.T. Chew; Stamp Bird; OSU - Elec&Computer, http://ctchew.com/pages/galleries/chewgal.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A painting featuring a small black vase containing numerous white flowers. The vase sits upon a gray/blue sheet. The sheet hangs off each side making a triangular-shaped creasing which protrudes in two perpendicular lines like a window pane., Lin Xia Jiang; Untitled #8; 1994; oil on canvas; 36x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Installation process. This sculptural mobile hangs from the ceiling and consists of corregated white rectangular shapes arranged in a triangular form. Metal wire and tubing support it from the top., timprentice@mac.com, http://www.timprentice.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., From 1997 - 2005, Bruce West was Head of the Sculpture Department and Senior Lecturer at Lewis & Clark College in Portland, Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A detail view of a large woven piece rendered in neutral colors. There are lines of colors, forming patterns throughout the piece., Judy Nylin; 1975; 3 part weaving; center, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
A detail view of the top two layers of the totem pole. The top part has a yellow and white sun above a red heart. The layer below it features a beaver with large white teeth., Clay Hoffman; kinetic totem, clayhoffman@verizon.net, http://130.94.161.3/artbyclay/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A rectangular art piece made out of multiple square tiles surrounded by rectangular tiles. In the middle is a four paned window with a blue sky and white clouds. The foreground of the window presents a tree with various objects hanging from its branches. Two little figures hold a giant strawberry to the left of the window pane., B. Wolfston; Viv Olumn; u of oregon; november 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This piece consists of painted ceramic tile that has been laid into the concrete of the courtyard in a wide spiral pattern., Betsy Wolfston; orchard ct 2002, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A still life scene from a birthday dinner rendered entirely in colors from the warm range of the spectrum. Two chairs surround a table with a cake and candles, a plate of two fish, and wrapped presents. A polka-dot motif decorates the background. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 17 x 22 inches, http://www.alderart.com/kacey%20joyce.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A mostly blue abstract composition intersected by smudged-over blue lines. On the left-hand side of the painting, blue lines form three squares that contain red lines, one of which contains a red "x." This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 47 1/2 x 61 inches, http://www.askart.com/AskART/H/robert_hanson/robert_hanson.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A realistic bronze rendering of a hummingbird., Hummingbird, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a goldfinch., Goldfinch, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A realistic bronze rendering of a quail., Quail, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Beyond what has been provided herein, we have no additional information regarding this artwork., http://www.studiodonatello.com/Sidonie%20Caron.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A photo-realistic rendering of a can of Royal brand baking powder sitting next to a stack of wicker baskets on a black background., Royal with Baskets, The paintings of Sally Haley are much loved in the Northwest, partly at least because she often (but not always) has painted familiar domestic objects-bread, eggs, bottles, fruit, dishes, the simple, reassuring, eternal things. And she paints them with mastery so admirable that our response is a combination of delight and awe. They appear in a variety of settings and con-formations: a loaf of bread may almost fill its small canvas; a stemmed glass containing, quite surprisingly, five eggs, and standing alone, with mysterious iconic overtones, in a vast dark space; or a group assembled on a table in Haley's own subtle version of the still life. But there is a great deal more to her art than the masterly rendition of familiar objects. Many of her canvases, entirely bare of objects, are seen from, as one might say, a much wider angle; they are interiors divided into austere geometric shapes which suggest corridors, walls, windows, doors. This artist is certainly drawn by the basic architectural features of interiors, and to their meanings: the universal vertical and horizontal planes of wall and floor, the advance of corridors, the promise of doorways, the rectangles of sky disclosed by windows. She makes her own perspective, often puzzling, sometimes disquieting. In most of her painting there is…a sense of something, withheld or barely suggested, of questions unanswered, though: everything in the painting exists under the most unequivocally revealing light. Yet the surreal hovers near, is waiting in the wings, so to speak, and is sometimes evoked. At any rate, on feels , http://www.laurarusso.com/artists/haley.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A large, black-and-white photograph of young kids running down a hillside., Barbara Gilson; Untitled #12/15; 3 x 3 feet, (1991) Barbara Gilson received a BA in French Literature and in Film Studies from Dartmouth College in Hanover, New Hampshire. She has studied photography at the Visual Studies Workshop in Rochester, New York, where she coordinated the film program. During the tenure of her MFA Program in Photography at Arizona State University, she was a graduate research assistant to Mark Klett for the Photography Collaborative Facility, Visual Arts Research Institute. She also organized Editions and Additions: International Bookworks at Northlight Gallery. Awarded a Graduate Student Research Development Program Grant, Barbara and two colleagues have been involved in a collaborative project with the Navajo to document their sacred land and sites in northwestern New Mexico. The Arizona Commission on the Arts awarded this project, Hajiinei Dine'tah, a Visual Arts Travelling Exhibitions Grant. In addition to being selected as a recipient of the Contemporary Forum Artist's Material Fund, Phoenix Art Museum; a finalist in the Ferguson Grant Award, Friends of Photography; and awarded First place in the Tucson Weekly Annual Fiction and Photography Competition, Barbara has shown her work nationally in one person and in group exhibitions, and is represented in many public and private collections. She has also been a co-director of Blue Sky Gallery, Portland, Oregon, and is an Artist-in-Education in the greater Portland area., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/