2 p. James T. Russell's 1998 artist statement and project concept., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
2 p. Rick Bartow's 1995 exhibition list., The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
The following series of images presents Dennis Oppenheim's lighted, metal sculpture, Electric Field as well as its intstallation process. Electric Field is a large football defined by linear metal and ornamented by lighted Xs and triangles that sits at an angle atop a brushed metal base in the plaza of Reser Stadium., http://www.home.earthlink.net/~dennisoppenheim, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
4 p. Henk Pander's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
4 p. Katherine Ace's 1995 exhibition list., Katherine Ace was born in Chicago and received a degree in ceramics from Knox College in 1975. She is a self taught painter working in alkyd/oil on canvas. Her work hangs in private, corporate and public collections. Katherine has participated in numerous regional and national individual and group shows. (Unknown, 1995), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
2 p. Carl T. Chew's 1987 artist statement., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts
This group of images documents Lawrence Paul Kirkland's installation piece, installed at Oregon State University's School of Electrical Engineering and Computer Science. The symbols scattered around the atrium form a kind of puzzle which reflects the scientist's focus on the ingredients of a solution, rather than the final solution. Hanging aluminum rods represent a sound wave, as on an oscilloscope. A steel X sculpture outdoors represents a vector field. The stone pieces indoors represent the symbols E, D, B, H, Delta, a point and an equal sign. Some of the sandblasted quotes are whimsical, as in Samuel Butler's "A hen is only an egg's way of making another egg." Kirkland's favorite is from a T. S. Eliot poem: "Where is the knowledge we have lost in information? Where is the wisdom we have lost in knowledge?" Kirkland said he is pleased with his effort in stone and the way it relates to the people who will see it. "I think that a public commission needs to be responsive to the people, to a specific audience." (1988), 5721 Utah Avenue NW, Washington DC <br>studio@larrykirkland.com, http://www.larrykirkland.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts
7 p. Demetrios George Jameson's 1995 exhibition list., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
8 p. Valley Library's 1995 art collection., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
3 p. Arvie Smith's 1995 exhibition list., "Most of my art, in some way or another, tries to answer the question, 'Who am I?'" says Smith, looking at a particularly aggressive piece that he painted in 2006 called "The Lower 9th." The large oil-on-canvas features a pastiche of what he calls "derogatory caricatures" (including Aunt Jemima and "black-face" characters) surrounded by images of forgotten souls swept away in Hurricane Katrina. "I'd hate to think that my history began with slavery," says Smith. "To me, that is a lie. But the remnants still exist today, especially in the way we have been depicted in culture. This is what I try to explore in my work." (excerpt from online biography at http://www.pnca.edu/exposure/stories/216/arvie-smith), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/