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- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
2. Paris
- Description
- A disc in translucent blue and opaque white cameo glass. The disc has been cut down from a larger composition. The decoration, in white, shows the upper part of a young man in profile, gazing to the right; the forefinger of his right hand is raised towards the chin expressing doubt or consternation. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- On left is a rag doll by an unknown Ancient Roman artist from the 1st-5th century CE, measuring 19.05 cm in Height. Doll was created in Egypt, discovered in Oxyrhynchus, Al Bahnasā, Egypt, and is housed at British Museum, London, England, United Kingdom under Repository ID: 1905,1021.13. Rag-doll made from linen stuffed with rags and papyrus. The arms are made from a long roll of linen attached at the back. Coloured wool, now faded, was applied to parts of the face and body. The presence of a small blue glass bead attached to the proper left side of the head suggests a hair ornament. –The British Museum; On center-left is a doll by an unknown Ancient Roman artist. Doll was discovered at Ephesus, Aegean Region, Turkey and is housed at British Museum, London, England, United Kingdom under Repository ID: 1872,0405.173. Bone doll with articulated arms and legs (now missing). –The British Museum; On center-right is Terracotta 930, created by an unknown Corinthian artist in ca. 450 BCE and measuring 15.05 cm in Height (including legs). Doll was discovered in Athens, Periféreia Protevoúsis, Greece and is housed at British Museum, London, England, United Kingdom under Repository ID: 1930,1217.5. Terracotta dancing doll representing a 'Pyrrhic Dancer' in helmet and cuirass. –The British Museum; On right is Terracotta 937, created by an unknown Corinthian artist in ca. 350 BCE and measuring 18 cm in Height (including legs). Doll was created in Corinth, Peloponnese, Greece, discovered in Greece and housed at British Museum, London, England, United Kingdom under Repository ID: 1865,1720.35. Terracotta dancing doll holding castanets. –The British Museum, Burn, Lucilla; Higgins, Reynold; Walters, H B; Bailey, D M, Catalogue of Terracottas in the British Museum, I-IV, London, BMP, 1903
- Description
- A disc in translucent blue and opaque white cameo glass. The disc has been cut down from a larger composition. The decoration, in white, shows the upper part of a young man in profile, gazing to the right; the forefinger of his right hand is raised towards the chin expressing doubt or consternation. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Bronze patera: relief decoration in the centre of the dish showing the sea-demon Scylla attacking the companions of Ulysses. Scylla towers above the ship and seizes one crewman, while the dogs that form her lower body savage several others. The eyes of the men and dogs are inlaid with silver. The handle is ancient, but not made for this dish. --The British Museum, Walters, H B, Catalogue of the Bronzes in the British Museum. Greek, Roman & Etruscan., I-II, London, BMP, 1899
- Description
- Circular marble relief: Apollo and Artemis slaying Niobids. --The British Museum, Pryce, F N; Smith, A H, Catalogue of Greek Sculpture in the British Museum, I-III, London, BMP, 1892
