Search
You searched for:
Start Over
Decade
1890-1899
Remove constraint Decade: 1890-1899
Institution
University of Oregon
Remove constraint Institution: University of Oregon
Topic
Moccasins, Beaded-Floral
Remove constraint Topic: Moccasins, Beaded-Floral
1 - 4 of 4
Number of results to display per page
Search Results
1. Lou French
- Description
- A Native American woman, identified as Lou French of the Walla Walla tribe, stands to the right of a tipi, with her left side towards the photographer. She points to her left with her right arm upraised and index finger outstretched. Her costume consists of a geometically decorated hat shaped like a tuncated cone, a fringed leather dress with geometric beading, and moccasins with floral beading at the ankles. She wears a number of metal bangle bracelets and what looks like a brass arm band. In her left hand she holds the string to a geometrically-beaded rectangular bag which has circular shapes made of up joined triangles, dark shapes on light bag. Over her shoulders runs a striped band which is attached to the cradleboard she wears on her back. Although the design cannot be seen clearly in this photo, what can be seen resembles almost exactly similar photos of cradleboards with bold floral designs. Attached to the cradleboard is a dark geometrically-decorated piece of cloth or blanket which acts as a hood for the baby. All that can be seen of the baby is the right side of its head, as the rest is engulfed in the bag of the cradleboard. The tipi a few yards behind her seems to be covered with woven mats, and has several long poles on the outside as well as the inside framework. Leaning upright against it are several boards and branches. Close behind is a line of low trees or high bushes, and to the right of the photo a criss-cross of lines that might be from a fence or other structure. The woman's pose is upright and self-assured as she gestures.
- Description
- Two Native American women are posed in front of a display of Native American artifacts. One woman is standing, the other kneels. The standing woman is wearing beaded moccasins. She is holdings a tomahawk in her right hand with a small pelt draped over it. She holds a round shield with a fur decoration in her left hand. Her dress has a V-neck which is decorated with a striped yoke. The skirt of the dress is decorated with long fringes threaded with beads. She is wearing a necklace and a hat. The kneeling woman is wearing a fringed and beaded leather dress with a cape. She is holding a bow in her left hand. She has a basket hat woven in a geometic design on her head. On the wall behind the women are several artifacts and objects, including: two cradleboards with floral designs, a photograph of a bulldog, a basket with geometric designs, a military cap, a military helmet, two swords, a harness, two bugles, some unidentified gear, belts, two pair of moccasins with floral beading, two bags with floral designs, an unidentified artifact with long fringes, one woven bag with geometric designs, three belts or sashes with geometric designs, an animal pelt, a long feathered headdress, a saddle, a long necklace, a buckskin coat with fringes and some other clothes. There is a poster behind the women with a picture of soldiers and Native Americans on horseback; the number "49" can be seen on it. Small knives and feathers are displayed along the top of the poster.
- Description
- A Native American man identified as Yellow Wolf is seated on a white horse, holding a long feathered lance on his left. He is holding a feathered artifact in his right hand. He is wearing a decorated cape over his shoulders. He has on moccasins decorated with a floral design. He is wearing trousers or chaps with wide striped legs. His horse is wearing an appliqued breastplate decorated with stars, flowers and leaves. On Yellow Wolf's right, a man is riding away with his back to the camera. He is riding a spotted horse. He is wearing a buckskin coat, a broad-brimmed hat and a bandanna around his neck. The man's jacket is fringed and decorated with beadwork across the shoulders. The cuff and collar of his coat are in a darker material. The man's trousers are also fringed. He is wearing beaded moccasins. In the background between Yellow Wolf and the man in the buckskin coat there are three women with their backs to the camera. They are wrapped in long blankets. One woman has a light colored fringed shawl over her blanket. Another woman has a blanket with hanging decorations. The third woman has a dotted shawl pulled over her head. Also in the background there two men wearing feathered headdresses and several horses.
- Description
- Seven men, three sitting, four standing, are grouped in a studio before a backdrop which has tipis painted on it. Two of the standing men are white men, identified as John McBain and Lee Moorhouse. Both wear suits and ties and McBain wears a felt hat while Moorhouse wears a high top hat. Both men have moustaches. Moorhouse holds a long pipe and flat geometrically beaded bag with fringe in his right hand, and his left hand is on the shoulder of the man seated in front of him, identified as Young Chief of the Cayuse. A Native American man, identified as Chief Sho-o-way of the Cayuse, stands in the back, also wearing a suit. He has a top-coat with furred lapels over it, and a conspicuous watch chain and medal. He wears no hat, and his gray or white hair hangs to his shoulders, where it is curled. The fourth man in the back row, identified as Chief Wolf, does not seem to be wearing headgear, but the middle section of his dark hair is pulled back from his forehead and puffed up above his head, and there seem to be feathers or other ornaments in it. The hair on the sides hangs at least to his shoulders. He wears a choker necklance and buckskin shirt, with a blanket across his left shoulder to the right side of his waist. He appears to be holding a large white feather or wing with dark spots in his right hand. The three Native American men seated in front are all wearing headgear. The man on the left, seated on a wooden chair, is identified as Chief Peo of the Umatilla. He wears a stand-up bonnet of feathers over his shoulder-length hair, and seven rows of necklaces, and his shirt is decorated with shells or teeth along its v-neck, with a stiff fringe below the shoulders. His hands are crossed on his lap, and the lower hand rests on a patterned blanket hanging between his legs. His upper, right, arm, is crossed over, and he has another blanket draped over it, and a ring on his hand. His pants have wide strips of beading down the outside of the legs. He seems to be wearing plain moccasins. The man in the center has been identifed as Chief Homily of the Walla Walla. He seems to be wearing a military cap, ornamented with beading, feathers, and fringe. His buckskin shirt has rectangular areas of beading on the sleeves and a row of ermine across the chest and shoulders.He seems to be wearing plain buckskin chaps over his pants, and beaded moccasins. His hands are in his lap and in his right hand he holds a pipe, from which a beaded bag dangles. The third seated man, Young Chief, wears a straw or felt hat with a hatband and an ornament standing up in the front, out of which emerge plumes of feathers which curve over the top of his hat. He has dark shoulder-length hair, and an earring is visible. He too wears loops of beads around his neck. He seems to be wearing a military jacket with chevrons at the wrist over a plaid shirt. The jacket is decorated with fringe at the shoulders which depends lower than his elbows. He has a patterned blanket over both legs and rolled in his lap, with patterned trousers underneath and floral beaded moccasins. His hands in his lap grasp a hatchet-style pipe, which has a flat beaded bag with streamers hanging from it. The area beneath the men is covered with a very hairy rug or mat, which is slightly rolled up at the right side of the photograph.