W. S. Bowman's photography studio in Pendleton, Oregon. Two stories, of brick or stone, with a crenellated roofline across the front and wrapping partway around the sides of the roof, it sits on a high foundation near the river. The ramp leading to the entrance has been braced with a stone retaining wall. In the window of the studio are displayed a number of photographs. The deck runs around at least two sides of the building. To the left is a wooden false-fronted building with the painted word "Persian" visible, and beyond that what looks like a large house.
A young Native American woman identified as Nellie Parr, a Walla Walla woman, sits in a room in front of a backdrop made of a plain blanket draped over a rack. On the walls behind and to the right hang a jumble of feathered headdresses, tomahawks, and other items; it appears she is in a photographer's studio. The woman wears beaded moccasins on her feet, which are resting on a small coiled cedar root mat. She wears leggings and a beaded buckskin dress, with beads in the fringe at calves, thighs, and arms. On her arms are metal bracelets, and around her neck are hung a number of necklaces including two that seem to be made of animal claws, long strings of beads, and a necklace with a medal. She wears a cornhusk basket hat with geometric designs and feathers on one side over her braided hair. She holds a bow and arrows with her right hand; the bottom of the bow rests on the mat. Her left hand is closed over the handle of a bag. Covering the object on which she sits is a blanket with bold geometric designs. A striped blanket can be seen tossed over something in the bottom right of the photograph., [Nellie Parr, Walla Walla woman, wearing beaded buckskin dress, leggings, moccasins, cornhusk hat, necklaces. She holds a bow and rests feet on cedar mat. In Moorhouse studio; curio collection visible on wall.]