Blouse of white cotton gauze with colorful embroidery in reds, blue, violet, green and black; wide, scoop neckline with multi-colored smocking; snap closure at center-front with red tie with tassels and deep slit with rectangular band of floral embroidery; long sleeves with patch of floral embroidery, small figured accents and a central band of open-work knit in a geometric pattern with diamonds; sleeve ends have colorful smocking; hits at hips with hem of colorful smocking.
Blouse of ivory cotton gauze with heavily embroidered cross-stitch bands in light blue yarn and accents of figured circles and sequins; yoke is gathered into round neckline band with geometric cross-stitch embroidery; side slit with side loop closure at neckline; yoke has vertical bands of cross-stitch embroidery and sequins; long sleeves are heavily embellished with cross-stitch and sequin accents; gathered at wrists and finished with ruffle; exposed zig-zag stitching.
Blouse of ivory cotton gauze with bands of geometric embroidery in red, black and white; heavily embroidered on long sleeves with a pattern of cross in circle pattern; vertical bands on blouse front; scoop neckline with red stitched smocking and red drawstring with tassels; sleeve ends have drawstring with tassels.
Blouse "Camisa" of Pina fiber net with hand-stitched floral embroidery in pastel colors; open-front with voluminous short sleeves and a cropped length; part of the traditional dress called, Terno and Baro't Saya; tiny size for a doll. Traditional Maria Clara gown.
Blouse of green crepe is square cut with square neckline with V-slit below; four stitched pleats at bust below yoke seam; large flared sleeves; hits at waist; small stitched closure below bust. From record: Moro Tribe. Dansalan.
Blouse of bright teal silk with soft-V neckline and short sleeves; cropped length; four bust darts; waist darts; concealed hook and eyes at center front.
Blouse of hand-spun white cotton crepe with white silk drawn work of 8-pointed stars and mesh in diagonal bands at yoke that run from the shoulder to the mid-center of the blouse; small collar has same embroidery on the corners; collar is trimmed in a scalloped crocheted lace; button placket down front with faceted "pearl" buttons; button placket and sleeveless arm openings are trimmed in same scalloped lace.
Blouse of white, windowpane check cotton with lace and eyelet embroidered trim; high, round neckline with standing collar of lace; shirt buttons up front with a flounce of eyelet embroidered cotton along the edge of the button placket; tucks at shoulder; long, set-in sleeves are gathered at the shoulder and trimmed in eyelet embroidery and lace; blouse is gathered into a wide waistband; blouse extends below the hip-length from the waistband with eyelet embroidered, scalloped trim.
Blouse of unbleached cotton with bands of drawn work from shoulders to center of torso creating a triangle; small collar with delicate lace edge-work; sleeveless with lace edge-work trim; center button placket conceals buttons and is trimmed along both edges with same lace edging.
Camisa blouse of wine red sinamy, an open-weave fabric made from abaca fiber (manila hemp), very stiff and crisp; very large full sleeves; open-front; accented with machine embroidery of a fern-like plant motif with sequin accents in red, silver, and white; hem is scalloped with red and white stitching.