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You searched for: Start Over Decade 1970-1979 Remove constraint Decade: 1970-1979 Institution Oregon Arts Commission Remove constraint Institution: Oregon Arts Commission Topic freehand drawings (drawings) Remove constraint Topic: freehand drawings (drawings)

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1. Tillamook Forest II
Tillamook Forest II
Description
This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest II; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
2. Paper Square with Red Dotted Line and Wall Marks #3
Paper Square with Red Dotted Line and Wall Marks #3
Description
The background of this piece is divided in half. The top portion is light brown and the bottom portion is an off-white. A rendering of a crumpled and torn piece of paper occupies the top two-thirds of the picture plane, and the bottom of the paper interects the division between brown space and off-white space slightly. The paper contains a dotted, red outline of a square and an indiscernable, shadey-gray shape. Below the crumpled and torn paper, in the off-white space, there is a sweeping line of what appears to be a blue paint dribble that rests above a horizontally oriented, skinny rectangle that is broken down into alternating squares of black and yellow., Paper Square; Scott McIntire; graphite on paper; Pendelton State Office Building, http://www.scottmcintire.com, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
3. Estuary at Gearhart
Estuary at Gearhart
Description
This landscape scene depicts a meandering body of water amongst tall grasses and trees., Allan Stephenson; Estuary-Gearhart; 10 x 18 inches, Allan Stephenson is an artist who draws his inspiration from the natural landscape particularly that of his native British Isles and also that of the Pacific Northwest where he now makes his home. *I am always looking for and attempting to communicate with the viewer that special sense of place that infuses some areas of the natural world with meaning, wonder and beauty. I hope my work can provide some escape from the sometimes frenetic world we all live in. I am a traditionalist. I don't see the art I produce as breaking any kind of new ground but rather I apply myself to existing forms and attempt to inject perhaps fresh content. I am currently enjoying the medium of pastel for it's direct hands-on quality that allows me to blend and sculpt the pigment using my fingers and hands rather than the intermediary of a brush.* (excerpt from artist's exhibition list), http://www.allanstephenson.com/index.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
4. King's Crown #2
King's Crown #2
Description
Crayon and pastel hues distintly segment corrugated cardboard., Bonnie Bronson; King's Crown #2; crayon, pastel on cardboard; 20 x 22 inches; 1979, Bonnie Bronson was born in Portland, Oregon in 1940. She attended the University of Oregon and the Pacific Northwest College of Art. She received an Oregon Arts Commission Fellowship in 1978. She was one of the first artists to develop an industrial enamel, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
5. Tillamook Forest III
Tillamook Forest III
Description
This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest III; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
6. Tillamook Forest I
Tillamook Forest I
Description
This piece presents a preliminary study of a stand of trees and a burnt-out snag done in preparation for the mural painting, Kilchis River., Tillamook Forest I; Henk Pander; conte, charcoal; 24 x 20 inches; 2002, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
7. Green Stern
Green Stern
Description
An abstract color composition that utilizes red, yellow, blue, aqua, and brown., Green Stern; 30 x 40 inches, http://sitkacenter.org/invitational/artists2006_detail.php?ArtistID=76, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
8. Surprise Animals (bird sketch)
Surprise Animals (bird sketch)
Description
This view presents a preliminary drawing of a hawk form for Jere and Ray Grimm's Bas Relief Animals., Bas Relief Animals; Jere and Ray Grimm; OSU Vet Med Bldg; 1979, For another image of this artist's work, please view: http://www.modernegallery.com/pages/gallery_profile/masterworks_show/masterworks_14.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
9. Hounding
Hounding
Description
This charcoal drawing depicts a teeming pack of dogs. The drawing appears to reveal evidence of a motion study, where the forms have been sketched, erased, and then sketched again, emphasizing the dynamic energy of the subject matter., Hounding; Charcoal; (92 x 44 inches); 1993, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
10. View From the Studio
View From the Studio
Description
This piece is comprised of four distinct sections. The left third of the picture plane is contained by a rectangle with a bottom portion that implies perspective and leads the viewer into the rest of the picture plane. It contains a decorative pattern reminiscent of Gustav Klimt. The remaining two-thirds of the picture plane are further broken down into the three remaining sections. A horizontal rectangular area across the top contains three separate squares containing three circles depicting three different views of a house. Beneath this section is the main rectangular area depicting a clump of trees reflected in water next to a checkboard-pattern floor. This section is subdivided by the fourth rectangular section that contains tapetry-like patterns., View from the Studio; Jon Jay Cruson; State Capitol, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
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