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111. Baby Blue-Anne Series
Baby Blue-Anne Series
Description
A bluish-gray wash covers most of the picture plane in this piece. Various geometric shapes intersect it in black and pink. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Mixed media on paper, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
112. Twin Birth
Twin Birth
Description
A colorful abstraction that employs pink, green, red, yellow, blue, and black to build a somewhat chaotic composition that is grounded by two five-pointed stars on the right and left sides of the piece., Acrylic rhoplex on canvas; 4'2 x 7'6 inches, Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.arcticrefugeart.org/parker/par_vita.html; http://www.pnca.edu/exposure/stories/18/embodying-exuberance, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture
113. A Mystery Desired and Sought I-X (IV)
A Mystery Desired and Sought I-X (IV)
Description
A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, yellow, orange, and black. Predominant shapes include triangles and rectangles., James B Thompson; 1992; A mystery desired and sought; IV, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
114. Brazen Serpent
Brazen Serpent
Description
An oil painting of a primarily yellow, black and white large spiral set next to a black spiral outlined in yellow. Below the larger spiral are the words "brazen serpent.", Lucinda Parker received her M.F.A. from the Pratt Institute in New York in 1968 and started work as a professor at the Pacific Northwest College of Art in Portland in 1974. Her work has been exhibited in numerous one-person shows throughout the west as well as several exhibitions nationally, including the David Findly Gallery and Sue Ellen Haber Gallery in New York, the Seattle Art Museum, the Corcoran Gallery in D.C., and the First Western States Biennial, that traveled to San Francisco, Denver, and Washington D.C. Lucinda Parker's public commissions can be seen in Portland: "Riversong" for the Oregon Convention Center, "Talking Leaves" for the Multnomah Co. Midland Library, and "City Rose & Rose City" for the renovated Portland City Hall. The Portland Art Museum honored her with a mid-career retrospective in 1995.<br>http://www.pnca.edu/exposure/stories/18/embodying-exuberance, http://www.laurarusso.com/artists/parker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
115. Many Strange Occurrences
Many Strange Occurrences
Description
This piece appears to be an investigation of color, form, and texture collaged together. Different layers present different colored textures and shapes that come together to create the whole piece. Reds, blues, green, a hint of yellow, and black and white are part of the color palette for this piece., Many Strange Occurrances; Margaret Coe; acrylic; 30 x 40 inches, http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=34, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
116. I Will Not Be Disrespectiful and Talk in Class
I Will Not Be Disrespectiful and Talk in Class
Description
This piece depicts a portrait of a blue-faced individual with down-turned, green eyes and a down-turned, purple mouth., Gregory Grenon; I Will Not Be Disrespectful and Talk in Class; 1992; 46 x 35 inches, http://www.gregorygrenon.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
117. MCMLXXVII
MCMLXXVII
Description
This piece is composed in black and white, with the addition of a few minor red accents and a neutrally toned square shape at the upper left corner of the piece. The central focus of the piece lies with the two triangles stacked along the left side of the piece that are next to a large, irregualarly shaped form in the middle of the piece. The background is orchestrated with choppy, black lines and the red accent. Variation between duplicate images directly relate to original source materials., Etching & chine colle; 20 x16 inches, http://www.luciadouglas.com/artists/artists_list/funkhouser.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
118. Ascending
Ascending
Description
This piece consists of two wooden constructions that hang from the ceiling in relation to each other. The shapes share a form that resembles an inflated boomerang. The larger of the two shapes hangs lower than the smaller one, and it is oriented vertically while the smaller one is oriented horizontally., Darlene Nguyen-Ely; Commissioned by Oregon Arts Commission; Location: Eastern Oregon University; La Grande, OR; Title: Ascending; 2002; wood; 4 feet 2 inches high x 5 feet wide x 7 feet 4 inches long; weight: 35 lbs., http://users.ixpres.com/~darlene/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
119. The Day Debbie Rode in & out of Spokane
The Day Debbie Rode in & out of Spokane
Description
This whimsical and abstracted painting depicts a figure wearing a red and white dress riding side saddle on a striped and spotted horse with a yellow and orange tail. Red and turquoise patterning comprises a background for the rider. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Ibach; ESOC LOSO Hall; 20""*24""; Colored Pencil; Acrylic on Rag; ""the day debbi rode in & out of Spokane"", The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
120. The Day Debbie Rode in & out of Spokane
The Day Debbie Rode in & out of Spokane
Description
This whimsical and abstracted painting depicts a figure wearing a red and white dress riding side saddle on a striped and spotted horse with a yellow and orange tail. Red and turquoise patterning comprises a background for the rider. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Dick Ibach; The Day Debbie Rode in and out of Spokane; Colored Pencil & Acrylic on Rag; 20"*24"; EOSC LOSO Hall, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
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