"Wind Fence," the sculpture, consists of seven sections of wind-animated panels, approximately 10 feet square. The panels are composed of thousands of small anodized aluminum elements that are hinged to move freely in the wind. The panels are mounted onto a series of 8-inch diameter stainless steel poles that are connected by a framework of 2 1/2 inch stainless square tubing. The poles are embedded into concrete footings that are 2 feet in diameter and about 8 feet deep. The overall shape of the fence traces out a gentle arc that sweeps towards the north entrance to the building and extends back into the grove of trees to the east. The intent of the artwork is to reveal the invisible passage of wind through the fence. The curve of the fence echoes the curved facade of the architecture. ((Kahn, 2003), nedkahn@earthlink.net, www.nedkahn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
A mobile that suspends various geometric shapes in relation to one another. White circular forms and silver-colored wire shaped into circles comprise most of the piece. Rainbow colored lines intersect the composition in two areas., Peter V. Teneau was born in 1929 in New Rochelle, New York, US., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A mobile that suspends various geometric shapes in relation to one another. White circular forms and silver-colored wire shaped into circles comprise most of the piece. Rainbow colored lines intersect the composition in two areas., Peter V. Teneau was born in 1929 in New Rochelle, New York, US., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
"Wind Fence," the sculpture, consists of seven sections of wind-animated panels, approximately 10 feet square. The panels are composed of thousands of small anodized aluminum elements that are hinged to move freely in the wind. The panels are mounted onto a series of 8-inch diameter stainless steel poles that are connected by a framework of 2 1/2 inch stainless square tubing. The poles are embedded into concrete footings that are 2 feet in diameter and about 8 feet deep. The overall shape of the fence traces out a gentle arc that sweeps towards the north entrance to the building and extends back into the grove of trees to the east. The intent of the artwork is to reveal the invisible passage of wind through the fence. The curve of the fence echoes the curved facade of the architecture. ((Kahn, 2003), nedkahn@earthlink.net, www.nedkahn.com, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
Installation process. This sculptural mobile hangs from the ceiling and consists of corregated white rectangular shapes arranged in a triangular form. Metal wire and tubing support it from the top., timprentice@mac.com, http://www.timprentice.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
This sculptural mobile hangs from the ceiling and consists of corregated white rectangular shapes arranged in a triangular form. Metal wire and tubing support it from the top., Tim Prentice; Flock; Kelley Eng.; 2005, timprentice@mac.com, http://www.timprentice.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A detail view of nine connected spheres that are lighted and hang from the ceiling. The linear, criss-crossed infrastructure that defines the spheres is visible through the transluscent, neutral material that covers them., Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , http://www.thomassayre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
A view from below of nine connected spheres that are lighted and hang from the ceiling. The linear, criss-crossed infrastructure that defines the spheres is visible through the transluscent, neutral material that covers them., Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , http://www.thomassayre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This piece consists of nine connected spheres that are lighted and hang from the ceiling. The linear, criss-crossed infrastructure that defines the spheres is visible through the transluscent, neutral material that covers them., Thomas Sayre has designed and built public art projects all over the world and has been part of the design team for civic, educational, and museum buildings. He, along with architect Steve Schuster, is a founding principal of the multi-disciplinary design firm, Clearscapes , and has collaborated to produce lighting, furniture, terrazzo floors, and specialty surfaces. Growing up in the shadow of Washington National Cathedral, Thomas' early art education, and his love and respect of natural materials, came from the stonecutters and the Cathedral. His education continued at St. Albans School, University of North Carolina, University of Michigan, and Cranbrook Academy of Art. While occasionally producing , http://www.thomassayre.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/