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You searched for: Start Over Decade 1970-1979 Remove constraint Decade: 1970-1979 Topic Metal sculpture Remove constraint Topic: Metal sculpture

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11. Blind Man & Loon
Blind Man & Loon
Description
A bronze sculpture of a loon bird in a diving pose with black with gold spots on it's wings and around it's neck. There is a small totemic man hunched over, riding the loon's back., Blind Man & the Loon; Bronze by Jacque & Mary Regat; 1992, artsales@regatstudio.com, http://www.regatstudio.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
12. Sculpture with Steel, Glass, and Slate with a Fire Component
Sculpture with Steel, Glass, and Slate with a Fire Component
Description
A detail view of the top of the sculpture. The sculpture has three pillars of steel, with green glass at the top part of it. The three pillars are all connected by steel triangular sheets with circles cut out of the middle. Between all three triangles is a steel bowl, containing fire., Spirit U/O 8/98; Now/Kath Meehan, KathleenMeehan@gmail.com; howard@hkmeehan.com, http://kathleenmeehan.com/; http://www.hkmeehan.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
13. The Moss Creek Aviary
The Moss Creek Aviary
Description
Bronze renderings of two fish forms, presented on curved metal accents off the side of what appears to be an enclosed walkway., Swale Waves, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
14. Tecotosh
Tecotosh
Description
This linear, metal sculpture spans the plaza area in front of the Portland State Engineering Building with a curved form that depends on triangular geometry for support. The form is grounded by seven linearly defined triangular shapes that also house lighting that illuminates the sculpture at night., Ed Carpenter; Tecotosh; Maseeh College of Engineering PSU; 4/2006; 8 images, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
15. Mythic Herd
Mythic Herd
Description
This piece consists of three shiny, red buck mounts, stylized with Pacific Northwest Native American design, that sit atop large stumps that have been cleaned, shaped, and banded together with metal stripping., Mythic Herd; E.M. Brownice; Baker Co. Corrections, Brownlee moved to Oahu from Oregon to work on his Masters in Art at the University of Hawaii. While there he carved tiki idols for restaurant and hotel developments in Waikiki, and went on to do many tikis for the International Market Place. In later years he returned to Neahkahnie Beach in Oregon., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
16. The Moss Creek Aviary
The Moss Creek Aviary
Description
An inlaid pattern on the floor of the walkway to the Moss Street Child Center., Jefferey Weitzel; moss creek aviary; inlay; bronze 2005; 116x36 inches, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
17. The Moss Creek Aviary
The Moss Creek Aviary
Description
A realistic bronze rendering of a barn swallow., Barn Swallow, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
18. O-OH
O-OH
Description
Large, outdoor sculpture fabricated from stainless steel. The environment is reflected in the metal. In the background is a grassy area with trees. The sculpture sits on a flat closed-top concrete stand. Similar concrete planters surround the sculpture; each of the planters house a tree of unknown origin., Roger Barr; O-OH; printing plant, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may visit their website at: http://www.oregonlink.com/arts/index.html
19. The Moss Creek Aviary
The Moss Creek Aviary
Description
A realistic bronze rendering of a kingfisher., Kingfisher, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
20. Pendelton Critters (7 critters)
Pendelton Critters (7 critters)
Description
This view depicts four of seven whimsical metal sculptures whose forms imply abstractions of cloven animals. Bright colors and bold shapes adorn the pieces., Barry Gunderson; pendleton critters; sculpture painted aluminum; eastern or training center, Barry Gunderson has been a Professor of Studio Art at Kenyon College, Ohio. He joined the department in 1974 after receiving his MFA from the University of Colorado-Boulder. He has taught all the sculpture courses in the Department from the intro level "Three Dimensional Design" to the more unusual courses such as "Art with a Function" and "Art with Four Legs." His work also deals with the third dimension from outdoor public commissions to smaller studio pieces. "Learning to be an artist is a very complex process. Learning to enjoy Art by trying to make it is also complex. Once it is started the process has to be practiced and explored - perhaps for a lifetime. As an Artist/Teacher I think it is important to share my studio trials and tribulations for art-making is always fun but rarely easy. It is also important to share the joys of this activity - those times when an idea in combination with carefully selected and worked materials yields a product I am proud to exhibit. It is also a joy to help students dig deeply into themselves, then to use all their energies and resourcefulness to create a work they never thought possible." (http://art.kenyon.edu/studioart/academicprogram/studenthandbook.htm), gunderson@kenyon.edu, http://art.kenyon.edu/studioart/facultypages/gunderson/gundersonart.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at: http://www.artseast.org/
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