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Description: Item from a collection of University of Oregon faculty, students, buildings, organizations, and events. A women sits on the grass and reads.

Description: A watercolor painting of a translucent white cup featuring stems of green leaves with a white flower, white buds, blue flowers, and red berries. The background is a mottled brown with two horizontal lines at the red base of the cup., Rene Rickabaugh; White-Cup; watercolor on paper; 26 3/4x21 3/4 inches; 1992; RicR94040413, Rene Rickabaugh, a Portland painter, studied at the Pacific Northwest College of Art and has taught watercolor there as well as at the University of Oregon. His work is noteworthy for meticulous execution and details, and an almost surrealistic personal vision., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: A ten panelled art piece, all layered together. Each panel has a different plant or leaf material in different shades of green on it, set against a neutral background., Deborah Mersky; Quilt of Cuttings; 49x30 inches; clayprint and gouache; 1994; sold ohsu, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/

Description: Beyond what has been provided herein, we have no additional information regarding this artwork., "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture

Description: A bench surrounded by roses sits in the foreground of this painting while a red building and a gray building occupy the backfound., Bill Kucha; Bench Between II; Revenue, http://www.kucha.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html

Description: A black-and-white photograph depicting a jumble of bent-over straw stubble. Variations between duplicate images directly relate to original source materials., 16 x 20 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

Description: A black-and-white photograph depicting a jumble of bent-over straw stubble. Variations between duplicate images directly relate to original source materials., 16 x 20 inches, Claire Trotter is a native of the Pacific Northwest and livesin Eugene, Oregon. She acquired her basic skills in photography while apprenticed to a commercial photographer in Chicago. Her photographs are a kind of visual haiku. In a simple statement these pictures can suggest realities beond ordinary perception. Her subject is usually nature, celebrating natural light and shadow on rocks, reeds, sand, driftwood, ice, leaves, things we usually pass without seeing. She Works mainly in black and white, using Linhof, Leica and Alpa cameras, and is intensely involved in the entire photographic process from compostion through printing. Her work has been exhibited in museums and galleries in the United States and Europe, has been published in hournals devoted to the arts, and is represented in both public and private collections. (attributed to Alan G. Artner, Chicago Tribune, date unknown--from materials in project binder), The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at: http://www.racc.org/

Description: Collection of botanical and architectural photographs; Some pages printed on vellum, Signed by the artist

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