This is one of two images of the same piece. Irregularities between the pieces may reflect a difference in the source material. <br><br>A color rendering of what appears to be the repeated mirroring and fragmentation of a beach scene reflected in the water. The piece is formally divided in near-half. Below the meridian of the piece is a blue section with what appears to be the sihouette of the mirrored beach scene. Above the meridian of the piece is a skyscape with clouds and a pink line running through six rectangles of varying sizes and orientations that contain ghosted fragments of the same beach scene in the lower portion of the piece., Seal Beach; Lyle Matoush; litho; Pendelton State Office Building, Internet resources on Lyle Matoush: Mail Tribune Online (4/28/00 issue) http://archive.mailtribune.com/archive/2000/april/042800n4.htm <br>Southern Oregon University: http://emeritus.sou.edu/News.asp?NewsID=26, http://emeritus.sou.edu/News.asp?NewsID=26; http://archive.mailtribune.com/archive/2000/april/042800n4.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
This piece is comprised of a blue and pink checkerboard background. Three nautilus shapes line up vertically in the right half of the picture plane. The top one is a white silhouette. The middle one attempts realistic rendering. The bottom one encloses a black and red variation of the checkerboard pattern used in the background., Ocean Floor; Duane Cox; State Capitol, http://www.dartmouth.org/classes/61/Duane%20and%20DeVona%20Cox.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A diagonally oriented composition. Starting in the top left-hand corner, there is a yellow section followed by a free-form section that apperas to have a metallic texture and is outlined in heavy black. The middle section appears to reveal the paper the work is created on, and it is followed by another free-form section that again appears to have a metallic texture and is outlined in heavy black. The remaining bottom right-hand corner is a block of greenish-gray intersected with a small smudge of heavy black from the right-hand side of the piece., Stephen Hazel; mind reader; state capital II, studioblu@cablespeed.com, http://www.studioblu.org/frame.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A portrait of a Native American woman rendered in black and white., James Mattingly; dallas oregon; lummi lady; graphics; h-1, Jim Mattingly took his formal education, both undergraduate and graduate levels, at San Jose State University (then College) in San Jose California. Upon leaving graduate school, he took a position at the Alberta College of Art in Calgary, Alberta, Canada. Later in 1968, he took a position at Western Oregon University (then Oregon College of Education) in Monmouth, Oregon. During his years at Western he developed the printmaking program in the art department, was Art Department Head from 1977-1986, was the first studio instructor at Western to be promoted to Full Professor in 1980 and received the campus-wide Faculty Honors Award in 1985. Mattingly enjoyed teaching a great deal. "Much more important than my teaching were my students-the many wonderful people I came to know throughout my teaching career. I am very proud of the many achievements they have since accomplished in their own right." Mattingly retired from WOU in December 1994., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstract colage of shapes and color. Orange, yellow, pink, blue, and green bring circles, rectangles, and triangles together in the composition. A backwards "e" occupies the left-hand portion., Earl Miller; california flyer; state caiptal v II, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An ornate black and white rendering of line and pattern., Jim Hibard; greenhouse; state capital v II, http://www.beppugallery.com/showartists.php?ArtistID=36, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Red, white, blue, and green threads of color interact with a dark landscape., William Massey; confetti is good for the soul, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Beyond what has been provided herein, we have no additional information regarding this artwork., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstraction of the landscape represented in red, yellow, blue, and green., La Verne Krause; Nearing Arezzo; Revenue, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstraction of the landscape represented in linear blues, greens, and light browns., La Verne Krause; Green Bay; Revenue, LaVerne Krause, American painter and printmaker, was born 1924 in Portland, Oregon. She was awarded a tuition-fee scholarship at the University of Oregon where she undertook drawing and painting, studying with Andy Vincent, David McCosh, and Jack Wilkinson. She received her undergraduate degree in 1949, returning in 1966 to teach art, and by 1972 was a full professor. Professor Krause taught at the University of Oregon for 20 years until she retired in 1986. She died in Eugene, Oregon in 1987., http://www.askart.com/askart/k/laverne_i_krause/laverne_i_krause.aspx, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
