A series of five panel paintings depicting variations upon the theme of migratory waterfowl combined with cloud shapes and sweeping, arching lines., Untitled; John Jay Cruson; mixed media on wood; 5 x 5 feet; 1979; Pendelton Cafeteria State Office Building, Jon Jay Cruson is a N.W. artist who grinds, draws, etches, and pulls his own prints from the lithographic stone - on a hand cranked late 1800's press. He is one of the few lithographic printmakers that has his own studio - and does the complete printing process by himself. He is also noted on the West Coast for his paintings. (Unknown, 1987), http://www.wlotus.com/JonJayCruson/default.htm, The Oregon Arts Commission has nine Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Eastern Oregon Regional Arts. You may view their website at http://www.artseast.org/
Flourescent pink, blue, green, yellow, and orange create a backdrop for five large butterfly forms whose wings display geometric patterning and mosaic inlay., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Three of six bug benches, each decorated with unique colorful, geometric patterns., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This abstract, geometric mixed media piece presents patterned sections of red, blue, and pink, highlighted with smaller yellow forms and other snippets of pattern. A black-and-white dotted line outlines the forms., A mixed media art piece featuring a large blue triangle set against a red and pink background. There are strips of colors and patterns collaged onto one another., (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, email@jamesdavidthomas.com, http://www.jamesdavidthomas.com/index2.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A varied, neutral background supports a series of purple, pink, and black rectangles that occupy the middle of the piece toward the top third of the picture plane. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., 1st floor, http://www.elizabethleach.com/Artist-Detail.cfm?ArtistsID=21, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This view details four of the painted ceramic tiles used in the construction of Our Sun's Family., Actual size tiles; orchard ct; B. Wolfston; 2002; stoneware, http://www.buttersgallery.com/Artist-Detail.cfm?ArtistsID=417, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
A mixed media art piece featuring two black and white photographs, both of children, set against a square grid background. The square grid background is in brown with koi fish colored in blue and beige. Below the two photographs are six fortune cookies., Horatio Hung-yan Law; Made in Chinatown U.S.A.; 1994; Collagraph with Photolitho Chine Colle and Fortune Cookies; 22x30 inches, Born in Hong Kong, at age 16 Law immigrated with his family to New York City, where he stayed through high school. He then moved to Baltimore to study pre-med. “Molecular biology was the rage at Johns Hopkins, and I was just so bored,” he says with a laugh. “I could not connect with that at all, but I was obligated to finish it.” He returned to New York and got a research job at Columbia University, where he could take classes for free. “When I took my first painting class, it was like a light bulb turned on. I wasn't sure what was happening, I just knew it was important, so I kept taking art classes, and soon I was doing like three art classes at night and doing a full-time job, helping out my family business in Chinatown.” He quit the day job and went on to earn his BFA from the School of Visual Arts in New York, a printmaking diploma from Il Bisonte International School of Graphic Arts in Italy, and his MFA from Washington University in St. Louis. A residency brought Law to Portland in 1994; he then taught briefly at the University of Oregon and considered a move to the Bay Area, but found it a difficult place for artists. “I love Portland. I think it’s the kind of city that is very open to young artists, and a city that really cares about its citizens,“ he says. “It’s easier to survive here. It has the amenities of a big city but also it doesn’t have the grittiness…it’s a nice combination of things.” (see biography at http://www.pnca.edu/exposure/stories/21/horatio-hung-yan-law), horatiolaw@gmail.com, http://www.horatiolaw.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts & Culture. You may view their website at http://www.racc.org/
A green gate, inlaid with ceramic mosaic pieces that imply plant forms., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This mixed media painting presents an abstracted conglomeration of color, line, and symbols rendered in blues, greens, and reds accented with black and white., Sketchbook of Change; Mixed Media on Paper, 1995; 6 inches x 6 inches, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html