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11. Predicting the Weather
Predicting the Weather
Description
An abstract rendering presented on a deep yellow background. A blue, horseshoe-shaped form encompasses a mysterious pink form. A white rectangle and a blue, bean-shaped form occupy space in the upper third of the composition. The piece presents various sections of black outlining as well. This is one of two views of this artwork. Variations between duplicate images relate directly to original source materials., Mixed media on paper; 1980, "Born in Detroit, Michigan, Suzanne Duryea graduated in art history from Northwestern University, Evanston, Illinois and continued to study painting at the University of California, Berkeley and Portland State University. Duryea has had one-person exhibitions at the Linda Hodges Gallery, Seattle; Renshaw Gallery, Linfield College; Mayer Gallery, Marylhurst College as well several exhibitions at the Fountain Gallery, Portland. The artist has also been included in group exhibitions such as: The Oregon Biennial, Portland Art Museum; "Northwest '87", Seattle Art Museum and most recently the traveling exhibition, "Northhwest X Southwest: Painted Fictions" curated by the Palm Springs Deesert Museum. Suzanne Duryea has become known to Northwest art viewers for her rich oil paintings of animated objects personified in a narrative atmosphere of glowing color. Romantic yet humorous, these paintings emphasize a vigorous nature that is immortalized in pain, creating a symbolic tone. The glossy surfaces of the paintings on paper (22" x 30") become more textural on canvas as the actual working surface expands (7' x 5'). (Unknown, 1991), http://www.laurarusso.com/artists/duryea.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
12. Cityscape #4
Cityscape #4
Description
A hand-colored, black-and-white photograph of a city scene from an elevated point of view., Mary Ann Johns; Cityscape #4; 7 x 13 inches; photography: infrared, colored pencils/acrylics, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
13. Constructing Layers of Time (Triptych)
Constructing Layers of Time (Triptych)
Description
This triptych presents a series of human forms, rendered in black line and complimented with red, green, blue, and yellow., http://www.uoregon.edu/~prentice/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
14. Two Lizards
Two Lizards
Description
A concrete lizard inlaid with ceramic mosaic pieces that occupies the underside of a metal stairway., The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
15. Symbiosis 1& 2
Symbiosis 1& 2
Description
This pair of paintings is united by elements of line, color, and design. They share a light yellow background that, in both paintings, supports bold black shapes and thin, energetic black lines. The piece on the left contains a large, black "C" with a bright yellow halo in the middle that is flanked on the top by a thick, horizontal black line with a blue halo and on the bottom by a horizontal row of black dots. Another shorter thick, vertical black line with a pink halo occupies the lower right hand corner. The piece on the right contains four thick, vertical black lines. The fattest of the four sits on the left side of the painting. Two slightly skinnier ones sit side by side toward the right. The skinniest one sits even farther to the right, and it is broken up by swatches of gray. Above the the vertical lines on the right, in the upper right corner, sits a grid of nine black dots. Linear washes of orange and green create contrast with the painting on the left while a small square of pink in the painting on the right unifies them., Symbiosis 1& 2; (29 x 35.5 x .5 ea.); 8-96; dry pigment, enamel, gold leaf, varnish on aluminum, Tom Anderson was born in 1951 in Salt Lake City, the son of a jazz musician. By the time the family settled in Vancouver, Washington, Anderson's formative years has been shaped by syncopated rhythm and life on the road (39 states by the age of four). He earned an Associate of Arts degree from Clark College in 1971. part of his education included three months of travel in Europe, where he studied firsthand the works of the great masters. In the autumn of 1971, he enrolled at The Evergreen State College in Olympia, Washington. There, in addition to his Asian art and Philosophy studies, Anderson made some meaningful contributions to the first years of the experimental college's development. He initiated the use of the 16mm animation facilities, helped to establish the FM Radio station KAOS, co-created the four-story library mural, and worked as an assistant graphic designer, developing the College's catalogs and visual identities. He graduated in 1973 with a Bachelor of Arts degree. That same year, Anderson co-founded Mansion Glass Studios in Olympia. This collaboration won recognition locally and nationally for their design and fabrication of Architectural Art Glass commissions, as well as for their restoration projects. Anderson first attended the highly esteemed Pilchuck Glass School in 1986, as a teaching assistant to Henry Halem. He returned in 1987, on a scholarship with Susan Stinsmuhlen-Amend, and again in 1988 and 1989 as a teaching assistant in the advanced graduate program, specializing on glass casting and enamel kiln firing. In 1990, Anderson established his own studio in Olympia. Over the past eight years he has continued his work painting, metal fabrication, mixed media constructions, and printmaking. He is represented by galleries in Oregon, Washington, Florida, New Mexico, and California. In addition to commissions, Anderson exhibits regularly and his work can be found in over 400 public and private collections including the Oregon Arts Commission, the Washington State Arts Commission, Delta Airlines, the city of Olympia, Hewlett Packard, and US Bank. (Uknown, 1995), artist402@comcast.net, http://www.thomasandersonart.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
16. Sally
Sally
Description
This piece presents an intricate mixture of dots of color that work together to comprise an abstract, geometric picture plane. Colors used include pink, red, orange, green, blue, and white., Jack Portland; Sally; U of O Science Complex, Jack Portland graduated from the Pacific Northwest College of Art in 1971 and has worked in a variety of media, most recently fresco. His interest in fresco comes from frequent trips to Italy and a summer fresco project he worked on at the Academic Caerit, http://www.laurarusso.com/artists/portland.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
17. At Water's Edge
At Water's Edge
Description
This view presents a detail of a sandcarved glass pane that depicts several interconnected spiral forms., Lonnie Feather; at water's edge; 1998; each 12x12 inches; conf. Room doors; sandcarved glass; mixed media, Lonie Feather has worked and lived in Portland, Oregon, and has exhibited her art since 1982. She received her Baccalaureate from Portland State University with Honors in 1987 and was recognized with the 1983 Corning Award as outstanding student while studying at the internationally renowned Pilchuck Glass School. She has received significant awards including Outstanding Woman Artist of Solano County, in 1989 among others. Numerous public and private art commissions also span her career utilizing a variety of mediums and techniques which include painting on glass, glass sandcarving, cast glass, murals, mixed media with glass, wood carving and stone sculpture., lfeather@lonniefeather.com, http://www.lonniefeather.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Lane Arts. You may view their website at http://www.lanearts.org/
18. A Mystery Desired and Sought I-X (I)
A Mystery Desired and Sought I-X (I)
Description
A geometric composition that utilizes thick brush strokes to create wavy lines and texture in the surface of the paint. This piece is rendered in pink, red, orange, yellow, blue, and green, with some black outlining. Predominant shapes inclue a skinny, green rectangle, a red triangle, and a blue triangle., James B Thompson; 1992; A mystery desired and sought I, (1996) James Thompson was born in Chicago, Il. He attended Ripon College, receiving a BA in Art/Art History and MFA from Washington University, School of Fine Arts, St. Louis, MO. He taught at Ripon College, University of Alaska and has been a Professor of, jthompso@willamette.edu, http://www.willamette.edu/cla/art/faculty/thompson/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
19. Right Side / Left Side Series 1-4
Right Side / Left Side Series 1-4
Description
An abstract, geometric composition that orchestrates orange, pink, blue, black, and white., Clint Brown; Right side / left side series; OSU elec and Computer, Clint Brown has been a professor of art at Oregon State University, where he has taught drawing, painting, and sculpture since 1970. He served as a Fulbright Exchange Professor at Trent Polytechnic (now Nottingham Trent University) in Nottingham, England, and has taught art as Seattle Pacific University and University of Southern California. He is author of Drawing from Life (Harcourt Brace, second edition 1996) and editor of Artist to Artist: Inspiration and Advice from Artists Past and Present (Jackson Creek Press 1998). His art work had been exhibited widely throughout the West. His drawings on the AIDS pandemic, The Plague Drawings, traveled to Japan,, http://www.clintbrownartist.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website at: http://www.artcentric.org/
20. Mountain Arabesque
Mountain Arabesque
Description
A long rectangle art piece set in neutral colors. There is a dark brown triangle in the middle and two spirals on each side, along with two zig-zag lines. There is a dark border bordering all of the sides except for the right side, which is bordered with an orange/brown color., Margot Voorhies Thompson; Mountain Arabesque; drawing, print collage; 28x84 inches; 1993; ThoM93120701, http://www.laurarusso.com/artists/v_thompson.html, margot@margotvoorhiesthompson.com, http://www.margotvoorhiesthompson.com/html/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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