This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. In this contextual view from the north side, two of the four sides are visible. The longer side depicts an eye form in the center, surrouned by a fish form, what appears to be a beaver form, and a bird form. The shorter side presents an eye form with two hands below it., The Gaurdian; Mark Sponenburgh; east and north side; Veterinary Hosp. (OSU), "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
A round, stained glass piece. The center of the circle is divided into a pattern of squares and rectangles, some of which contain smaller circles and a free-form pattern that unites discreet sections. The squares in the design are a rusty, orange color, which breaks up the otherwise black, gray, or clear glass., Ed Carpenter; State Capitol, http://www.edcarpenter.net/profile/EdCarpenter_resume.pdf, http://www.edcarpenter.net/home/home.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Raised, low relief carvings on door panels that feature plants and animals which played primary roles in the rejunvenation of the Tillamook area., http://www.heartwoodcarving.com/about/joev.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
Raised, low relief carvings on door panels that feature plants and animals which played primary roles in the rejunvenation of the Tillamook area., http://www.heartwoodcarving.com/about/joev.php, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Oregon Coast Council for the Arts. You may view their website at http://www.coastarts.org/
This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. This view from the south depicts an eye form surrounded by a seal form, a ram from, a bird form, and what appers to be a flower form., The Guardian; Mark Sponenburgh; south side; cast bronze; Veterinary Hosp. (OSU), "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
Decorative step lights were envisioned for the circular staircase which serves as a focal point for the south end of the library. In 1990, three glass artists -- John Rose, Linda Ethier, and Liz Capelli -- were invited to make a proposal for the design and fabrication of cast glass sculptures to decorate (and illuminate) these stairs. In 1991, Ethier, of Portland, Oregon, was selected for the project, and in response to the selection committee’s suggestions, she used collections unique to Knight Library as the inspiration for her final designs. Ethier’s completed work, entitled Luminated Manuscripts, consists of 15 glass panels installed on the guardrails of the three flights of stairs that comprise what is now called the Solari Staircase. This staircase is named for Mary Corrigan Solari, a 1946 UO graduate, and her husband, Richard Solari, who contributed to the Knight Library expansion project. Initially installed in November, 1992, the glass sculptures were adjusted with filters in August 1993 to enhance their appearance. The panels depict a variety of figures and objects associated with library collections, and several images are based on recommendations from library staff. Thus these illuminated panels represent a unique collaboration resulting in art about the library: its environment, collections, and the people it serves. (information provided by Ed Teague, Head of the University of Oregon's Architecture & Allied Arts Library. For more detail on Ethier's Luminated Manuscripts, please view http://darkwing.uoregon.edu/~ehteague/staircase/ ) For an overview on the process behind the creation of this work, please view this page created by Ed Teague: http://darkwing.uoregon.edu/~ehteague/staircase/ethier.html, Linda Ethier; glass; 1995; U of O Knight Library, info@lindaethier.com, http://www.lindaethier.com/, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Lane Arts. You may view their website at http://www.lanearts.org/
This heavily patinaed sculptural form consists of a rectangular base that supports an inverted trapezoidal form ornamented with three unique groupings of symbols where the longer sides of the trapezoid depict different images and the shorter sides depict the same images. In this view from the north side, two of the four sides are visible. The longer side depicts an eye form in the center, surrouned by a fish form, what appears to be a beaver form, and a bird form. The shorter side presents an eye form with two hands below it., M. Sponenburgh; north side, "To Sponenburgh, art and nature glorify one another. Their relationship has marked his sculpture over the decades, in his animals and natural phenomena - the mounds of a cumulus cloud, the arc of a wave and the frosty dignity of an owl carved from Douglas fir - that some think will be his enduring legacy." (Data provided by Abby Haight at oregonlive.com.), For an article on this artist, please view: http://blog.oregonlive.com/oregonianspecial/2007/06/a_giant_of_a_sculptor_saves_hi.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Linn-Benton Arts. You may view their website, ArtCentric, at http://www.artcentric.org/
A patinaed bronze disc supports a similarly patinaed, vertical bronze rectangle that contains a relief pattern of three horizontal lines on top of three vertical lines., State capital; Mel Schuler; round form 1977, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html