Compositions of borrowed text face appropriated images in this series of compelling studies of nuclear war. Images are both black and white and color photographs, works of art, and diagrams. Notes in the back of the book attribute sources.
Inserted brochure entitled : Panic, blame, indifference; Includes bibliographical references; Series of gatefold and half folded pages; Color illustrations and photographs accompanied by text, A gift in memory of Peter Ward Britton
This publication accompanies the exhibition 'On the passage of a few people through a brief period of time.' Presented at the Musee National d'art Moderne, Centre Georges Pompidou/ICA, London/ICA, Boston: 1989-1990 -- Colophon, Edited by Iwona Blazwick in consultation with Mark Francis, Peter Wollen and Malcolm Imrie
A progressive work, examining the changes that occur when pages are photocopied repeatedly. The second page, verso indicates that the next page has been photocopied twice. After that verso pages have ever increasing numbers as the black ink "dust" accumulates on the white page. Bound using a plastic portfolio clip., Signed by the artist
Printed in black and white on dark blue paper. This book is a pictorial essay of a crudely drawn dog barking a "white" cone shaped bark. With the dark blue background, it seems clear that the action is taking place after dark. As each page turns, the constant image of the dog and his white "bark" indicates the passage of time and connote a sense of anxiety (on the dog's part) or irritation (by the viewer). At the end of the book the dog, still barking seems to have exhausted itself, and is depicted on the ground, feet in the air. The irregularly spaced three hole stab binding is at the top of the book, and has been dipped in black paint. The book was originally created as a unique hand-painted book, but was reproduced using offset printing in an unnumbered edition of 200., A gift in memory of Peter Ward Britton
An original story illustrated with found or appropriated images. Images appear in half-tones with visible Ben Day dots, and have the look of hand-colored photographs., A gift in memory of Peter Ward Britton.
Some of the photographs in this book were originally part of an exhibit, but the book contextualizes the images with topical headings that mimic the text style of a newspaper. Text is also added to the pages, which are densly packed with images. This book looks at photography as a part of the modern world's overstimulation by mass media.