A painting of a large brown-colored woman with blue hair, dressed in blue, holding a smaller human with vertical, wavy black and blue hair, attired in green clothing. Extending from the smaller human's face is a blueish ghosted face, with only the side of the face visible. In the lower right corner of the piece is a blue square with what looks like a nude female sitting, reaching upwards., Ancestor; Claudia Cave; Gouache on Paper; 41 x 33.25 inches; '92; CavC92062519, A well known Oregon artist, Claudia cave graduated with an M.F.A. in painting from the University of Idaho and A B.S. in art education from the Western Oregon State University. Her work has been exhibited at the Portland Art Museum, Seattle Art Museum, Bellevue Art Museum as well as the Alternative Museum in New York. In addition, the artist's work is included in the collections of the Metropolitan Arts Commission, Seattle, WA; Microsoft, Seattle, WA; Salem Public Library, OR; University of Oregon, Eugene, or as well as many other public and private collections. Cave's paintings have been regularly reproduced in the Clinton Street Quarterly, Portland/Seattle. (Unknown, 1991), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A pastel rendering, featuring a fantastical drawing of a bald man with three arms in the colors of reds, purples, blues, oranges, blacks, and skin tones. The man's mouth is open, and the right portion of his face morphs into a crow's head, with a huge black and blue beak outlined with bold red., Crow Cosmos; Rick Bartow; #871; 40 x 26 inches; 1990; pastel/graphite, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html