A painting of a large brown-colored woman with blue hair, dressed in blue, holding a smaller human with vertical, wavy black and blue hair, attired in green clothing. Extending from the smaller human's face is a blueish ghosted face, with only the side of the face visible. In the lower right corner of the piece is a blue square with what looks like a nude female sitting, reaching upwards., Ancestor; Claudia Cave; Gouache on Paper; 41 x 33.25 inches; '92; CavC92062519, A well known Oregon artist, Claudia cave graduated with an M.F.A. in painting from the University of Idaho and A B.S. in art education from the Western Oregon State University. Her work has been exhibited at the Portland Art Museum, Seattle Art Museum, Bellevue Art Museum as well as the Alternative Museum in New York. In addition, the artist's work is included in the collections of the Metropolitan Arts Commission, Seattle, WA; Microsoft, Seattle, WA; Salem Public Library, OR; University of Oregon, Eugene, or as well as many other public and private collections. Cave's paintings have been regularly reproduced in the Clinton Street Quarterly, Portland/Seattle. (Unknown, 1991), http://www.zeekgallery.com/dynamic/artist.asp?ArtistID=80, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An acrylic painting of a landscape with yelllowed hills, In the foreground are a few cattail plants., Inverness; Douglas Campbell Smith; 1992; Public Service Building, http://www.campbellsmiths.com/index.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
An abstract painting of what appears to be wave-like shapes wrapped around long rectangular shapes in various colors. The rectangular shapes extend out from the actual rectangular shape of the art piece in three different places. The perspective of the rectangular shapes, and the way they come off the page make the painting provide dimension., Zone of Middle Dimensions: Boxcar; George Green; 1991; 50 x 57 inches; A/C, (1996 press release from Oregon Economic Development Department, Salem, OR) George Green has, for the past twenty years, been a leader in the development of new forms of tromp l'oeil illusionism (painting with photographically realistic detail). Green has had over 50 national and international solo exhibitions and is represented in 44 museum collections including the Guggenheim Museum, the Chicago Art Institute, The Denver Art Museum, the Los Angeles County Museum, and the Detroit Institute of the Arts. He has been represented by the Meyerson Nowinski Gallery in Seattle, and the Louis K. Meisel Gallery in New York City. George Green was born in Portland, Oregon in 1943., http://www.bernarduccimeisel.com/artistImages.php?id_artist=8, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
A watercolor painting featuring aspen trees in a field. Behind the aspen trees is a brown and green landscape., Aspen Grove, Steens; Henk Pander; HP 44; 1990; Watercolor; 40 x 60 inches, hpander@earthlink.net, http://artistsregister.com/artists/OR9, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html