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21. Morning -- Feathers
Morning -- Feathers
Description
An interaction occurs in the window bay of the skylight between the surface of the window bay, which is painted in blue with yellow and orange rounded forms and feather forms made from transparent black and white material, which are suspended in the window bay., Cloud Chambers; 1997; Skylight A; Morning - Feathers, Melanie Walker received a B.A. from San Francisco State University and an M.F.A. from Florida State University. She has taught at the Media Arts Department at the University of Colorado in Boulder, Colorado specializing in Historic Photographic Processes, Digital Imaging, Costume Design, Puppetry and Public Art., melanie.walker@colorado.edu, Peters and Walker: http://www.airworks-studio.com/ <br>Melanie Walker: http://www.colorado.edu/arts/photo/walker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts and Culture. You may view their website at http://www.racc.org
22. Morning -- Feathers
Morning -- Feathers
Description
An interaction occurs in the window bay of the skylight between the surface of the window bay, which is painted in blue with yellow and orange rounded forms and feather forms made from transparent black and white material, which are suspended in the window bay., Cloud Chambers; 1997; Skylight A; Morning - Feathers, Melanie Walker received a B.A. from San Francisco State University and an M.F.A. from Florida State University. She has taught at the Media Arts Department at the University of Colorado in Boulder, Colorado specializing in Historic Photographic Processes, Digital Imaging, Costume Design, Puppetry and Public Art., melanie.walker@colorado.edu, Peters and Walker: http://www.airworks-studio.com/ <br>Melanie Walker: http://www.colorado.edu/arts/photo/walker.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is Regional Arts and Culture. You may view their website at http://www.racc.org
23. Wounded Crow
Wounded Crow
Description
This print depicts a red-breasted crow adorned with linear accents. A swatch of light blue near the crow's head creates visual interest and directs the viewer's attention to a mirror-image of the word "crow" near the top of the image., Rick Bartow; wounded crow; monoprint with mixed media; 44.25x30 inches; 1991; BARR91 (inv. 1029), The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
24. A Day in Eugene
A Day in Eugene
Description
This abstract piece presents a conglomeration of predominantly blue, white, green, and orange forms that suggest mood and location., Robert E. Dozono; A Day in Eugene, October 23; oil,collage/canvas; 48 x 48 inches, http://www.blackfish.com/Artist-Detail.cfm?ArtistsID=10, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
25. detail view no. 6
detail view no. 6
Description
This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
26. detail view no. 4
detail view no. 4
Description
This view presents a detailed section of the mural, The Bridge of the Gods., Ruth Brockmann; Bridge of the Gods detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg., http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
27. creative process, view 3
creative process, view 3
Description
This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; original bronze, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
28. She Flies With Her Own Wings
She Flies With Her Own Wings
Description
This sculptural installation, which can be viewed from either the first or second floor lobbies, presents a bird in flight attached to the ceiling, dramatically lit by an elaborate lighting mechanism that extends up from the circular cutaway in the ceiling between the first and second floors. This particular view, from the second floor lobby, presents a contextual view of the sculpture and its lighting mechanism., D. Merkt; She Flies with Her Own Wings, http://www.4culture.org/publicart/registry/sites/sites_artist.asp?ArtistID=52, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
29. front
front
Description
This view presents context for Muriel Castanis' sculpture, Ideals, as seen from a perspective looking toward the Portland State Office Building. It consists of the illusion of a human female form, defined by the draping and gathering of cloth rather than the positive space of the form herself., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
30. creative process, view 5
creative process, view 5
Description
This view details steps in the lost-wax casting process used to create Ideals., Muriel Castanis; Ideals; 444 6th Avenue, New York, New York 10011; 1992; first cast test, http://www.okharris.com/artists/castanis.htm, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
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