This view presents a detailed section of the mural, A Legend of Multnomah Falls., Ruth Brockmann; Multnomah Falls detail; kiln-cast glass, fused glass, colored cement; 1992; Ptld. State Office Bldg.;, http://www.holstengalleries.com/artists/show/brockmann-4, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An abstract, mixed media painting rendered primarily in pastel blues, pinks, and yellows. Dark blue and red accent the piece., Frederick Heidel; Palm Land; 1990; mixed media; 30x30 inches; ohsu movable, Former chairman of the art & architecture department and professor of art at Portland State University for over 25 years, Frederick Heidel is well known and respected for his work in glass and acrylic paintings. Throughout his career, Heidel has exhibited widely including major shows at the San Francisco Museum of Art, Portland Art Museum, University of Oregon Art Museum, Smith/Anderson Gallery, Palo Alto, CA and Glasgalene Kuhler, Amsterdam, Holland. The artist has also been awarded numerous commissions and is included in many public and private collections. A painter, Heidel began working in glass in 1967 after receiving a Chapelbrook Foundation Grant to work in the glass factories in Holland. Since that time, the artist has traveled to the studios of Glassobjekte Van Tetterode to execute glass sculpture from drawings he has prepared in his Portland studio. The exploration of this medium has lead Heidel to create sculpture of painted light and the nuances of the colorful laminated glass harkens to the painterly and fluid surfaces of his paintings. Heidel's works on paper reflect the translucent quality of his glass sculpture. (Unknown, 1991), For more images by this artist, please visit: http://www.laurarusso.com/artists/heidel.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
An aerial, color photograph of a fallow field with a homestead area carved out in the middle. A house is surrounded by trees and vehicles, and a short, dirt road leads to an outbuilding area., Mark Abrahamson; stillaguamish spring; 1990; $500.00; cibachrome; 19 1/2x12 3/4 inches, Mark Abrahamson was born in Seattle, Washington in 1944. He received a BA degree in chemistry from Whitman College, Walla Walla, WA. in 1966 and a DDS degree from the University of Washington in 1970. In 1987 he received a grant from the Seattle Arts Commission, in 1991 and 1995 he was awarded GAP Grants from Artists Trusts, and also in 1995 a Washington State China Relations Council Travel Grant. (Unknown, 1995), For more images by this artist, please visit: http://www7.nationalacademies.org/arts/Mark_Abrahamson.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This sculptural form presents a mask of a human face hybridized with a weasel's face. The mask is flanked by two weasel forms hyridized with human forms. Red beads provide detail for the eyes, noses, and mouths as well as the connections between the weasels' feet and the sides of the mask., John Hoover; Weasel Spirit Mask; red cedar/oil pigments/beads; 21 x 17 x 4 inches, http://www.ancestralspirits.com/ws/alaskan/johnhoover/johnhoover1.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
This piece presents an enigmatic portrait of a human form rendered in a combination of white, yellow, pink, and red. The form wears what appears to be a purple and red stylized cowboy hat. The background is comprised of blue, purple, and orange., Rick Bartow; Hen Hat on Mask; mixed media; 36 x 26 inches, The frailty of life on this planet and the need to recognize the interconnectedness of all species are common threads that weave through Bartow's work. His Yurok Indian heritage and his experiences in Vietnam are the source of these feelings and nurture his imagery. Crow/raven and a pantheon of other animals, including man, figure prominently in his work. He reanimates the ancient myths of Northwest peoples into his visual language. Once the symbol of rebirth and the spirit of all life, crow is a ghost-like figure in this monotype who knows "he" is no longer central to our lives. (OAC documentation, 1990). A Vietnam veteran and a Yurok tribal member, he addresses grief and fear in his work as means to dismantling them. His work is represented by Froelick Gallery and Stonington Gallery. (Data provided at http://www.npr.org/programs/talkingplants/features/2003/bartow/index.html. Reviewed on 04/09/07.), http://www.froelickgallery.com/Artist-Detail.cfm?ArtistsID=227, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Regional Arts & Culture. You may view their website at http://www.racc.org/
Application; Farm business card; Handwritten note; Abstract of title; Receipts; Homestead certificate., Historic: Hay; Percheron horses; Shropshire sheep. At time of application: Hay; Organic fruits and vegetables.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.
This image is included in Building Oregon: Architecture of Oregon and the Pacific Northwest, a digital collection which provides documentation about the architectural heritage of the Pacific Northwest.