Manuscript document. Title devised by cataloger. Date based on style of pen-work ornamentation., Collation: Parchment, ii (modern paper) + 131 + i (modern paper) folios on parchment, modern foliation in pencil, 1-131, lacking five leaves (collation i-vi8 vii8 [-3, lacking one leaf after f. 50, with loss of text] viii8 ix8 [-2, lacking one leaf after f. 64, with loss of text] x8 xi8 [-1, -6, lacking one leaf after f. 78 and one leaf after f. 82, with loss of text] xii8 [-5, lacking one leaf after f. 88, with loss of text] xiii-xvii8 )., Decoration attributed to the Master(s) of Dirc van Delft Group. Rubrics in red, capitals touched in red, 1-line initials alternating in burnished gold and blue throughout, decorated with blue and red pen-work, 2-line initials in burnished gold throughout, decorated alternately with red and blue pen-work, seven 3-line initials in burnished gold on grounds divided in pink and blue, accompanied with borders decorated with bars in burnished gold, pink, and blue; and branches of leaves and flowers in burnished gold (ff. 2v, 21, 24v, 28, 31, 34, 38v), two 7-line initials, one in blue (f. 1), another in pink (f. 44), decorated with geometric pattern in white, on burnished gold grounds with bar borders in burnished gold enlivened with curling branches of flowers and leaves in burnished gold and colors, a small tear in the outer margin of folio 22 and in the lower margin of folio 93., Binding: Bound in eighteenth century brown calf, spine gold-tooled with flowers; red leather label with gilt titling: GETYDEN MANUSCRIP; multi-colored gold brocade endpapers with flowers and leaves; modern fitted case, spine restored, stitching of quires somewhat loosened, small marks of wear on the leather., Lettering: Gothic book-hand (textualis), written in brown ink., Translation from Latin to Middle Dutch by Dutch reformer Geert Grote (1340-1384) in 1383-1384. Grote also added a new text to the standard contents, the Hours of Eternal Wisdom, the Getijden van de Eeuwige Wijsheid, a translation of the Cursus Aeternae Sapientiae by Henry Sus.
Manuscript document. Title devised by cataloger., Collation: Parchment, single leaf, 2 pages., Decoration: Every other line begins with a decorated initial in alternating blue and red pigment. The initials have the opposite color for flourish. The blue flourish either has faded or was never applied and the under-drawing remains in light pink. The text is in black ink. Recto has CCX in the top right and a random pen marking in the right margin. Verso has - 70 - beneath the final line of text., Binding: disbound., Lettering: Written in Italian Gothic Rotunda script.
Manuscript document. Title devised by cataloger., Disbound leaf (2 pages) form a missal., Collation: Parchment, single leaf, 2 pages., Decoration: Initials in red or blue, with opposite color flourishing. The blue flourishing either faded, or was never applied, for only a light pink outline of the flourish remains around the red initials. Text is in black and red, and alternates in size throughout. The text of the verso appears to have been done by a different hand than the recto; the text is much squarer than the recto., Binding: disbound., Lettering: Written in Gothic script (littera textualis semi-quadrata).
Manuscript document. Title devised by cataloger., Collation: Parchment, single leaf, two pages., Decoration: Large initials in red or blue, and non-musical script in red. Music lines are in red, and the notes and corresponding text are in black. On the verso, the initials in black have some flourishing., Binding: disbound., Lettering: Written in Gothic script (textualis prescissa).
Manuscript document. Title devised by cataloger., The leaf contains the entirety of Jeremiah 5. Recto: Mias heading is the tail end of Jeremias. Decorated C begins Jeremiah 5. Verso: Jere heading is the beginning of Jeremias. Decorated C begins Jeremiah 6. Text ends at Jeremiah 6:16, State super vias et..., Collation: Parchment, single sheet., Origin: France?, Lettering: Written in Gothic book hand (textualis prescissa sine pedibus)., Decoration: Mias heading in blue (recto) and Jere heading in red (verso). Initial C (recto) in red with blue flourishing, Roman numerals in red. Initial C (verso) in blue with red flourish. Text is in black ink. Vertical and horizontal ruling still visible., Binding: Disbound.
Manuscript document. Title devised by cataloger. Two leaves from a manuscript book of hours, with illuminations depicting the tree of Jesse and the transfiguration of Jesus., Lettering: Written in an Italian humanistic bookhand., Leaf MS 113a: (r): International/Neo-Gothic style architectural frame in gold leaf, washed vermillion and grisaille. Two putti in grisaille with gold leaf wings are on the top left and right of the frame, and a final central putti in the same technique at the bottom. Each side of the frame has one grisaille child-figure. Jesse rests on a blue bed decorated in gold. Jesse is robed in gray and blue. The tree is fully in gold leaf with black outlines. There are six figures on each side, with the Virgin Mary and child at the top center. The twelve figures are variously clothed using blue, vermillion, gold leaf, and green pigments. The Virgin Mary's mandorla and crown are in gold leaf. (v): Border around text is in gold leaf with red outlines. The main text is in black, with the bottom four lines in red. The tree branch and final word Oratio are in gold leaf. Leaf MS 113b: (r): Border is fully in gold leaf, with a heavily foliated decoration in red, green, and blue. A bird can be found towards the bottom left, and a winged insect (a moth perhaps?) sits towards the bottom right corner. The illumination is further framed in an acanthus order column and arch frame in gold leaf with red borders. Christ stands center with a white rob, and his skin, halo and mandorla are in gold leaf. Moses, top left, is robed in white and blue and holds the commandments in gold leaf. Elijah, top right, is robed in black and white with gold leaf accents. The bottom three figures, John, James, and Peter (order unknown) are clothed in blue, white, and gold leaf. They are situated against a green landscape and blue skyline. The text underneath the illumination has a illuminated initial I in blue against a red and gold leaf background. The text is faded black. (v): The border around the text is gold leaf with red outlines. An illuminated O begins the text. It is blue, with a gold leaf background and a red flower in the center. The text is in a faded black. The tree branch and final four lines are in gold leaf., Binding: Disbound.
Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
Manuscript document. Title devised by cataloger., Recto: The second line starting at Ecce begins Psalm 54:8-24. Psalm 24 ends at the seventh line of the second column. Psalm 55 begins at the ninth line and ends at the thirty-second line. Psalm 56 begins at the final line in the second column and continues to verso. Verso: Psalm 56 continues and ends at the twenty-third line of the first column. Psalm 57 begins at the twenty-fourth line and ends at the twelfth line of the second column. Psalm 58 begins at the thirteenth line and ends at Psalm 58:10., Collation: single sheet., Origin: Italy., Lettering: Written in Gothic (littera glossularis) script., Decoration: Text in black ink, with decorated initials in red or blue, with the contrasting color serving as flourishing. The initial letter of each sentence is in red., Binding: Disbound.
Manuscript document. Title devised by cataloger., Recto: lines 1-3 appear to be Luke 11:23, but slightly jumbled. Lines 4 – 10 are Ephesians 5:5. Lines 11-14 are Luke 11:24. The final three lines are Ephesians 5:8 and the beginning of 5:9. Verso: Verso – Lines 1-3 continue Ephesians 5:9. Lines 3-10 are Luke 11:27-28. Lines 10-12 are Luke 4:24. “sua” is tacked onto the end of the 13th line. Lines 13-17 do not match any of the vulgate verses. Transcribed, it appears to read: “Cordibus nostris qu(i)s domi(n)e gauatua beuignus infunde ut ficut abesus cospilibus abstinem (?)ita sensus.”, Collation: single sheet., Origin: France., Lettering: Gothic (textualis prescissa)., Decoration: Some capitals in red and blue and certain text in red, otherwise all text in black. Verso has a thin red and black foliate design at the bas-de-page. Some vertical and horizontal rubrication still visible., Binding: disbound.
Manuscript document. Title devised by cataloger. Two leaves from a manuscript book of hours, with illuminations depicting the tree of Jesse and the transfiguration of Jesus., Lettering: Written in an Italian humanistic bookhand., Leaf MS 113a: (r): International/Neo-Gothic style architectural frame in gold leaf, washed vermillion and grisaille. Two putti in grisaille with gold leaf wings are on the top left and right of the frame, and a final central putti in the same technique at the bottom. Each side of the frame has one grisaille child-figure. Jesse rests on a blue bed decorated in gold. Jesse is robed in gray and blue. The tree is fully in gold leaf with black outlines. There are six figures on each side, with the Virgin Mary and child at the top center. The twelve figures are variously clothed using blue, vermillion, gold leaf, and green pigments. The Virgin Mary's mandorla and crown are in gold leaf. (v): Border around text is in gold leaf with red outlines. The main text is in black, with the bottom four lines in red. The tree branch and final word Oratio are in gold leaf. Leaf MS 113b: (r): Border is fully in gold leaf, with a heavily foliated decoration in red, green, and blue. A bird can be found towards the bottom left, and a winged insect (a moth perhaps?) sits towards the bottom right corner. The illumination is further framed in an acanthus order column and arch frame in gold leaf with red borders. Christ stands center with a white rob, and his skin, halo and mandorla are in gold leaf. Moses, top left, is robed in white and blue and holds the commandments in gold leaf. Elijah, top right, is robed in black and white with gold leaf accents. The bottom three figures, John, James, and Peter (order unknown) are clothed in blue, white, and gold leaf. They are situated against a green landscape and blue skyline. The text underneath the illumination has a illuminated initial I in blue against a red and gold leaf background. The text is faded black. (v): The border around the text is gold leaf with red outlines. An illuminated O begins the text. It is blue, with a gold leaf background and a red flower in the center. The text is in a faded black. The tree branch and final four lines are in gold leaf., Binding: Disbound.
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