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- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript document. Title devised by cataloger. Two leaves from a manuscript book of hours, with illuminations depicting the tree of Jesse and the transfiguration of Jesus., Lettering: Written in an Italian humanistic bookhand., Leaf MS 113a: (r): International/Neo-Gothic style architectural frame in gold leaf, washed vermillion and grisaille. Two putti in grisaille with gold leaf wings are on the top left and right of the frame, and a final central putti in the same technique at the bottom. Each side of the frame has one grisaille child-figure. Jesse rests on a blue bed decorated in gold. Jesse is robed in gray and blue. The tree is fully in gold leaf with black outlines. There are six figures on each side, with the Virgin Mary and child at the top center. The twelve figures are variously clothed using blue, vermillion, gold leaf, and green pigments. The Virgin Mary's mandorla and crown are in gold leaf. (v): Border around text is in gold leaf with red outlines. The main text is in black, with the bottom four lines in red. The tree branch and final word Oratio are in gold leaf. Leaf MS 113b: (r): Border is fully in gold leaf, with a heavily foliated decoration in red, green, and blue. A bird can be found towards the bottom left, and a winged insect (a moth perhaps?) sits towards the bottom right corner. The illumination is further framed in an acanthus order column and arch frame in gold leaf with red borders. Christ stands center with a white rob, and his skin, halo and mandorla are in gold leaf. Moses, top left, is robed in white and blue and holds the commandments in gold leaf. Elijah, top right, is robed in black and white with gold leaf accents. The bottom three figures, John, James, and Peter (order unknown) are clothed in blue, white, and gold leaf. They are situated against a green landscape and blue skyline. The text underneath the illumination has a illuminated initial I in blue against a red and gold leaf background. The text is faded black. (v): The border around the text is gold leaf with red outlines. An illuminated O begins the text. It is blue, with a gold leaf background and a red flower in the center. The text is in a faded black. The tree branch and final four lines are in gold leaf., Binding: Disbound.
- Description
- Manuscript document. Title devised by cataloger., Collation: 5 leaves (2 bifolia and 1 leaf). Leaf measurements differ., Origin: England., Lettering: Gothic script (textualis rotunda)., Decoration: Various decorated initials on each leaf. Pigments used are red, a blue ink that bleeds through the parchment, a very light blue, and possibly a gray pigment for preparatory drawing. 118a, recto: Letter T in red with preparatory decoration lightly visible in gray. Letter D is in blue and red, with a red inner decoration. Letter C in blue with red decoration inside. Both D and C have an outer red flourish extending downwards vertically. Text in black and red ink. Verso only contains some red ink and mostly black ink. 118b, recto: Letter E in red with preparatory inner decoration and flourish. Letter P is blue with inner and outer red flourish. Letter A has preparatory flourish within and around it, and the letter is in red. Letter I is blue with red flourish. Text is in black and red ink. Verso: letter O is red with light gray preparatory flourish. Letter S is blue with red inner and outer flourish. Text is in black and red ink. 118c, recto: Letter P is in red with faint blue inner and outer flourish. Red E with minimal, faint blue flourish. Letter I in red with faint blue flourish. Letters F and I in blue with no flourish. Text is in red and black ink. Verso: blue A with minimal flourish in red. C is blue with red inner and outer flourish. A in red with minimal blue flourish. Letter Q in red with blue inner and outer flourish. Letter F in red with minimal blue flourish. Letter A in blue with no flourish. Letter I in red with blue flourish. Text is in black and red. 118d, recto: letter I in blue with red flourish, and another letter I in red with blue flourish. Ink in red and black. Verso: blue D with red inner and outer flourish. Letter F in red with minimal blue flourish. Letter I in blue with red flourish. 118e, recto: letter C in blue with red inner and outer flourish. Letter M in red with inner and outer blue flourish. Letter F in blue with minimal red flourish. Letter I in red with blue flourish. Text is in black and red ink. Verso, letter I in blue with red flourish. Text in black and red ink., Binding: Disbound.
- Description
- Manuscript document, Collation: two disbound leaves., Decoration: A large 'Q' in elaborate black penwork., Binding: Disbound., Script: Gothic script sine pedibus (without foot serifs) in black ink. Staves ruled in red with brown bar lines, notes black., Content note: First leaf recto has the first two lines of Psalm 79: Qui regis Israel, intende qui deducis velut ovem Jo and continues on verso, seph Qui sedes super cherubin, appare coram Effraim, Beniamin, et Manasse. Recto has trimmed red page number xl ... in upper right corner.
- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript document, Collation: two disbound leaves., Decoration: On recto of one sheet, a large 'Q' in elaborate black penwork. On the 2nd sheet recto, a large 'D' in elaborate black penwork, and on verso, a large 'B' in red with diapered background and border in black ink., Binding: Disbound., Script: Gothic script sine pedibus (without foot serifs) in black ink. Staves ruled in red with brown bar lines, notes black., Content note: First leaf recto has the first two lines of Psalm 79: Qui regis Israel, intende qui deducis velut ovem Jo and continues on verso, seph Qui sedes super cherubin, appare coram Effraim, Beniamin, et Manasse. Recto has trimmed red page number xl ... in upper right corner. Second leaf recto: part of the Mass Introit for Christmas Dawn: et vocabitur admirabilis deus princeps pacis pater futuris eculi cuius regni non erit finis. v. Domin[us]. Verso: regnauit decorem induit induit* dominus fortitudinem et precinxit se virtute. Gloria Sec R. Benedictus q. Recto has complete red page number xlviii on upper right corner. *Note: text typically given as indutus est indutus est.
- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript document. Title devised by cataloger. Date based on style of pen-work ornamentation., Collation: Parchment, ii (modern paper) + 131 + i (modern paper) folios on parchment, modern foliation in pencil, 1-131, lacking five leaves (collation i-vi8 vii8 [-3, lacking one leaf after f. 50, with loss of text] viii8 ix8 [-2, lacking one leaf after f. 64, with loss of text] x8 xi8 [-1, -6, lacking one leaf after f. 78 and one leaf after f. 82, with loss of text] xii8 [-5, lacking one leaf after f. 88, with loss of text] xiii-xvii8 )., Decoration attributed to the Master(s) of Dirc van Delft Group. Rubrics in red, capitals touched in red, 1-line initials alternating in burnished gold and blue throughout, decorated with blue and red pen-work, 2-line initials in burnished gold throughout, decorated alternately with red and blue pen-work, seven 3-line initials in burnished gold on grounds divided in pink and blue, accompanied with borders decorated with bars in burnished gold, pink, and blue; and branches of leaves and flowers in burnished gold (ff. 2v, 21, 24v, 28, 31, 34, 38v), two 7-line initials, one in blue (f. 1), another in pink (f. 44), decorated with geometric pattern in white, on burnished gold grounds with bar borders in burnished gold enlivened with curling branches of flowers and leaves in burnished gold and colors, a small tear in the outer margin of folio 22 and in the lower margin of folio 93., Binding: Bound in eighteenth century brown calf, spine gold-tooled with flowers; red leather label with gilt titling: GETYDEN MANUSCRIP; multi-colored gold brocade endpapers with flowers and leaves; modern fitted case, spine restored, stitching of quires somewhat loosened, small marks of wear on the leather., Lettering: Gothic book-hand (textualis), written in brown ink., Translation from Latin to Middle Dutch by Dutch reformer Geert Grote (1340-1384) in 1383-1384. Grote also added a new text to the standard contents, the Hours of Eternal Wisdom, the Getijden van de Eeuwige Wijsheid, a translation of the Cursus Aeternae Sapientiae by Henry Sus.
- Description
- Manuscript document. Title devised by cataloger. Date based on style of pen-work ornamentation., Collation: Parchment, ii (modern paper) + 131 + i (modern paper) folios on parchment, modern foliation in pencil, 1-131, lacking five leaves (collation i-vi8 vii8 [-3, lacking one leaf after f. 50, with loss of text] viii8 ix8 [-2, lacking one leaf after f. 64, with loss of text] x8 xi8 [-1, -6, lacking one leaf after f. 78 and one leaf after f. 82, with loss of text] xii8 [-5, lacking one leaf after f. 88, with loss of text] xiii-xvii8 )., Decoration attributed to the Master(s) of Dirc van Delft Group. Rubrics in red, capitals touched in red, 1-line initials alternating in burnished gold and blue throughout, decorated with blue and red pen-work, 2-line initials in burnished gold throughout, decorated alternately with red and blue pen-work, seven 3-line initials in burnished gold on grounds divided in pink and blue, accompanied with borders decorated with bars in burnished gold, pink, and blue; and branches of leaves and flowers in burnished gold (ff. 2v, 21, 24v, 28, 31, 34, 38v), two 7-line initials, one in blue (f. 1), another in pink (f. 44), decorated with geometric pattern in white, on burnished gold grounds with bar borders in burnished gold enlivened with curling branches of flowers and leaves in burnished gold and colors, a small tear in the outer margin of folio 22 and in the lower margin of folio 93., Binding: Bound in eighteenth century brown calf, spine gold-tooled with flowers; red leather label with gilt titling: GETYDEN MANUSCRIP; multi-colored gold brocade endpapers with flowers and leaves; modern fitted case, spine restored, stitching of quires somewhat loosened, small marks of wear on the leather., Lettering: Gothic book-hand (textualis), written in brown ink., Translation from Latin to Middle Dutch by Dutch reformer Geert Grote (1340-1384) in 1383-1384. Grote also added a new text to the standard contents, the Hours of Eternal Wisdom, the Getijden van de Eeuwige Wijsheid, a translation of the Cursus Aeternae Sapientiae by Henry Sus.