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- Description
- Manuscript document. Title devised by cataloger., Collation: 5 leaves (2 bifolia and 1 leaf). Leaf measurements differ., Origin: England., Lettering: Gothic script (textualis rotunda)., Decoration: Various decorated initials on each leaf. Pigments used are red, a blue ink that bleeds through the parchment, a very light blue, and possibly a gray pigment for preparatory drawing. 118a, recto: Letter T in red with preparatory decoration lightly visible in gray. Letter D is in blue and red, with a red inner decoration. Letter C in blue with red decoration inside. Both D and C have an outer red flourish extending downwards vertically. Text in black and red ink. Verso only contains some red ink and mostly black ink. 118b, recto: Letter E in red with preparatory inner decoration and flourish. Letter P is blue with inner and outer red flourish. Letter A has preparatory flourish within and around it, and the letter is in red. Letter I is blue with red flourish. Text is in black and red ink. Verso: letter O is red with light gray preparatory flourish. Letter S is blue with red inner and outer flourish. Text is in black and red ink. 118c, recto: Letter P is in red with faint blue inner and outer flourish. Red E with minimal, faint blue flourish. Letter I in red with faint blue flourish. Letters F and I in blue with no flourish. Text is in red and black ink. Verso: blue A with minimal flourish in red. C is blue with red inner and outer flourish. A in red with minimal blue flourish. Letter Q in red with blue inner and outer flourish. Letter F in red with minimal blue flourish. Letter A in blue with no flourish. Letter I in red with blue flourish. Text is in black and red. 118d, recto: letter I in blue with red flourish, and another letter I in red with blue flourish. Ink in red and black. Verso: blue D with red inner and outer flourish. Letter F in red with minimal blue flourish. Letter I in blue with red flourish. 118e, recto: letter C in blue with red inner and outer flourish. Letter M in red with inner and outer blue flourish. Letter F in blue with minimal red flourish. Letter I in red with blue flourish. Text is in black and red ink. Verso, letter I in blue with red flourish. Text in black and red ink., Binding: Disbound.
- Description
- Manuscript document, Collation: two disbound leaves., Decoration: A large 'B' in red with diapered background and border in black ink., Binding: Disbound., Script: Gothic script sine pedibus (without foot serifs) in black ink. Staves ruled in red with brown bar lines, notes black., Content note: Verso: regnauit decorem induit induit* dominus fortitudinem et precinxit se virtute. Gloria Sec R. Benedictus q.
- Description
- Manuscript document. Title devised by cataloger., Collation: 5 leaves (2 bifolia and 1 leaf). Leaf measurements differ., Origin: England., Lettering: Gothic script (textualis rotunda)., Decoration: Various decorated initials on each leaf. Pigments used are red, a blue ink that bleeds through the parchment, a very light blue, and possibly a gray pigment for preparatory drawing. 118a, recto: Letter T in red with preparatory decoration lightly visible in gray. Letter D is in blue and red, with a red inner decoration. Letter C in blue with red decoration inside. Both D and C have an outer red flourish extending downwards vertically. Text in black and red ink. Verso only contains some red ink and mostly black ink. 118b, recto: Letter E in red with preparatory inner decoration and flourish. Letter P is blue with inner and outer red flourish. Letter A has preparatory flourish within and around it, and the letter is in red. Letter I is blue with red flourish. Text is in black and red ink. Verso: letter O is red with light gray preparatory flourish. Letter S is blue with red inner and outer flourish. Text is in black and red ink. 118c, recto: Letter P is in red with faint blue inner and outer flourish. Red E with minimal, faint blue flourish. Letter I in red with faint blue flourish. Letters F and I in blue with no flourish. Text is in red and black ink. Verso: blue A with minimal flourish in red. C is blue with red inner and outer flourish. A in red with minimal blue flourish. Letter Q in red with blue inner and outer flourish. Letter F in red with minimal blue flourish. Letter A in blue with no flourish. Letter I in red with blue flourish. Text is in black and red. 118d, recto: letter I in blue with red flourish, and another letter I in red with blue flourish. Ink in red and black. Verso: blue D with red inner and outer flourish. Letter F in red with minimal blue flourish. Letter I in blue with red flourish. 118e, recto: letter C in blue with red inner and outer flourish. Letter M in red with inner and outer blue flourish. Letter F in blue with minimal red flourish. Letter I in red with blue flourish. Text is in black and red ink. Verso, letter I in blue with red flourish. Text in black and red ink., Binding: Disbound.
- Description
- Manuscript document. Title devised by cataloger. Leaf has modern pencil markings, various stains, a small tear at the bottom (not affecting text) and scattered small holes (some affecting text)., Collation: Single sheet., Origin: France., Lettering: Main text: Continental protogothic book script. Marginal annotation in red ink on recto: English protogothic book script. Annotation in black ink on recto may be in a progothic documentary script., Decoration: Recto: Initials in blue, red, yellow ochre, and green. Instances of initial S have red flourishing; initial V has a flourish on left arm; initial D has green flourish; and initial P has red flourish. Verso: Initials in blue, red, and yellow ochre. Initial C has red flourish; initial F has blue flourishing; and initial I has red flourishing. Rubrication on both recto and verso., Annotations in two hands on recto., Binding: Disbound.
- Description
- Manuscript document. Title devised by cataloger., Recto: The second line starting at Ecce begins Psalm 54:8-24. Psalm 24 ends at the seventh line of the second column. Psalm 55 begins at the ninth line and ends at the thirty-second line. Psalm 56 begins at the final line in the second column and continues to verso. Verso: Psalm 56 continues and ends at the twenty-third line of the first column. Psalm 57 begins at the twenty-fourth line and ends at the twelfth line of the second column. Psalm 58 begins at the thirteenth line and ends at Psalm 58:10., Collation: single sheet., Origin: Italy., Lettering: Written in Gothic (littera glossularis) script., Decoration: Text in black ink, with decorated initials in red or blue, with the contrasting color serving as flourishing. The initial letter of each sentence is in red., Binding: Disbound.
- Description
- Manuscript document. Title devised by cataloger., Collation: 5 leaves (2 bifolia and 1 leaf). Leaf measurements differ., Origin: England., Lettering: Gothic script (textualis rotunda)., Decoration: Various decorated initials on each leaf. Pigments used are red, a blue ink that bleeds through the parchment, a very light blue, and possibly a gray pigment for preparatory drawing. 118a, recto: Letter T in red with preparatory decoration lightly visible in gray. Letter D is in blue and red, with a red inner decoration. Letter C in blue with red decoration inside. Both D and C have an outer red flourish extending downwards vertically. Text in black and red ink. Verso only contains some red ink and mostly black ink. 118b, recto: Letter E in red with preparatory inner decoration and flourish. Letter P is blue with inner and outer red flourish. Letter A has preparatory flourish within and around it, and the letter is in red. Letter I is blue with red flourish. Text is in black and red ink. Verso: letter O is red with light gray preparatory flourish. Letter S is blue with red inner and outer flourish. Text is in black and red ink. 118c, recto: Letter P is in red with faint blue inner and outer flourish. Red E with minimal, faint blue flourish. Letter I in red with faint blue flourish. Letters F and I in blue with no flourish. Text is in red and black ink. Verso: blue A with minimal flourish in red. C is blue with red inner and outer flourish. A in red with minimal blue flourish. Letter Q in red with blue inner and outer flourish. Letter F in red with minimal blue flourish. Letter A in blue with no flourish. Letter I in red with blue flourish. Text is in black and red. 118d, recto: letter I in blue with red flourish, and another letter I in red with blue flourish. Ink in red and black. Verso: blue D with red inner and outer flourish. Letter F in red with minimal blue flourish. Letter I in blue with red flourish. 118e, recto: letter C in blue with red inner and outer flourish. Letter M in red with inner and outer blue flourish. Letter F in blue with minimal red flourish. Letter I in red with blue flourish. Text is in black and red ink. Verso, letter I in blue with red flourish. Text in black and red ink., Binding: Disbound.
- Description
- Manuscript codex. Kalendar ff. 1-12b. The calendar does not include entries for every day of the year, and is approximately half full. Entries in red include St. Agnes, Landoald, Pancras, Boniface, Odulf, Martin, Laurence, Lambert, Remigius and Bavo, Gereon, Willibrord, Lebuin, Nicholas, Thomas, and Steven. St. Donatian was added in a later hand, suggesting the book was not originally made for Bruges usage. Saints such as Agnes, Odulf, Lebuin, and Willibrord point to the use of Utrecht (Lackaff, 1997, p. 3). Names of the months and saints are in a mix of Latin and Dutch. On the versos of January and December are two computation circles, one for finding the Dominical letters in the lunar month of 28 days (f. 1a), and the other for computing the golden number (f. 12r). Each figure includes on its outer, upper right edge the numerals m cccc lxxx iiij dating the ms to 1484 (Lackaff, 1997, p. 3) -- Hours of the Blessed Virgin, ff. 13-52. Compline is followed by 'Salve Regina' f. 49 -- Seven Penitential Psalms and Litany, ff. 53-76 -- Hours of the Cross, ff. 77-91 -- Hours of the Eternal Wisdom, and Trinity, ff. 92-132v -- Prayers to the Virgin and to St. Bernard and St. Thomas, ff. 133-138 -- Prayers of St. James, St. George, St. Augustin, St. Barbara, St. Sebastian, St. Nicholas, St. Anthony, St. Mary Magdalene, St. Margaret; All Saints and Angels, ff. 148-162v -- Vigelia, Office of the Dead etc., ff. 163-203v (with Lessons) -- Seven Prayers of St. Gregory, ff. 205-206., Collation: Quires of 8 plus 2 new flyleaves in front, 3 in back. No titles or signatures, leaves numbered in pencil 1-206., Decoration: Extensively decorated. Illumination is of high quality and originality but shows considerable wear from use., Binding: Modern conservator's binding in style of the period, dark brown leather over wood boards, four raised cords, front and back covers blind-tooled with a grid of vertical and horizontal lines. Gilt edges. Flyleaves of heavy modern paper., Script: Gothic minuscule in brown ink. First two pages have cursive inscription in Latin dated 1603.
- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript codex. As referenced by Jim Marrow Report: Book of Hours with an Office of the Dead of Autun Use., Collation: 101 leaves in 13 quires of 8 (except 1__, 2_, 8_, 13_). No catchwords, No signatures. Folio numbers in pencil. Much variety in emphatic rubrication., Decoration: Larger 3-to-4 line initials in blue OR burgundy upon a gilded square with white floral tracery introducing chapters. Smaller 1-to-2 line gilt capitals upon blue and burgundy square are used to introduce sentences. In addition, five miniatures are found, and bordered with floral acanthus with accompanying pheasantry. Much variety in emphatic rubrication. Miniature illustrations: 1. (fol. 25r) The Annunciation (Hours of the Virgin, Matins). 2. (fol. 63r) The Crucifixion (Hours of the Cross). 3. (fol. 67r) The Pentecost (Hours of the Holy Spirit). 4. (fol. 70r) David at Prayer (Seven Penitential Psalms). 5. (fol. 85r) Funeral Scene (Office of the Dead)., Binding: Modern red morocco with marbled rose endpapers., Script: In one hand of Gothic cursive called the French Batarde Script, notable is the lowercase g, which is as a minuscule y, with a horizontal bar extending through both ascending strokes.
- Description
- Manuscript codex. Kalendar ff. 1-12b. The calendar does not include entries for every day of the year, and is approximately half full. Entries in red include St. Agnes, Landoald, Pancras, Boniface, Odulf, Martin, Laurence, Lambert, Remigius and Bavo, Gereon, Willibrord, Lebuin, Nicholas, Thomas, and Steven. St. Donatian was added in a later hand, suggesting the book was not originally made for Bruges usage. Saints such as Agnes, Odulf, Lebuin, and Willibrord point to the use of Utrecht (Lackaff, 1997, p. 3). Names of the months and saints are in a mix of Latin and Dutch. On the versos of January and December are two computation circles, one for finding the Dominical letters in the lunar month of 28 days (f. 1a), and the other for computing the golden number (f. 12r). Each figure includes on its outer, upper right edge the numerals m cccc lxxx iiij dating the ms to 1484 (Lackaff, 1997, p. 3) -- Hours of the Blessed Virgin, ff. 13-52. Compline is followed by 'Salve Regina' f. 49 -- Seven Penitential Psalms and Litany, ff. 53-76 -- Hours of the Cross, ff. 77-91 -- Hours of the Eternal Wisdom, and Trinity, ff. 92-132v -- Prayers to the Virgin and to St. Bernard and St. Thomas, ff. 133-138 -- Prayers of St. James, St. George, St. Augustin, St. Barbara, St. Sebastian, St. Nicholas, St. Anthony, St. Mary Magdalene, St. Margaret; All Saints and Angels, ff. 148-162v -- Vigelia, Office of the Dead etc., ff. 163-203v (with Lessons) -- Seven Prayers of St. Gregory, ff. 205-206., Collation: Quires of 8 plus 2 new flyleaves in front, 3 in back. No titles or signatures, leaves numbered in pencil 1-206., Decoration: Extensively decorated. Illumination is of high quality and originality but shows considerable wear from use., Binding: Modern conservator's binding in style of the period, dark brown leather over wood boards, four raised cords, front and back covers blind-tooled with a grid of vertical and horizontal lines. Gilt edges. Flyleaves of heavy modern paper., Script: Gothic minuscule in brown ink. First two pages have cursive inscription in Latin dated 1603.