Flamboyant colors and patterns as well as human silhouettes converge toward the center of this painting., Jack McLarty; tracking; state capital v II, Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html <br>http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This piece forms a grid pattern that alternates between red and black to enunciate silhouetted forms., Jack McLarty; red passage; state capital v II, Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html <br>http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html
This composition, presented on a green background, is split into four discrete rows with blue lines. Each row contains various renderings of what appear to be mechanized devices or robots, presented in varying shades of green, yellow, orange, and red., Jack McLarty has lived most of his life in Portland, Oregon. His family moved to Portland from Seattle in 1921. After attending the Museum Art School, he left Portland in 1940 to study at the American Artists School in New York. At the end of two years, McLarty decided New York did not suit him as a permanent home and returned to Portland. By 1945 he had reconnected with the Museum Art School accepting a teaching fellowship in lithography. He joined the regular faculty in 1947. McLarty and his wife, Barbara, opened the Image Gallery in 1961. (online biography obtained from Preservation of Oregon's Artistic Heritage–A Production of the Salem Art Association.) Other biography information available at http://www.pnca.edu/exposure/stories/139/jack-mclarty-40, http://www.poahonline.org/bio_mclarty.html, The Oregon Arts Commission has ten Regional Arts Councils that provide delivery of art services and information. The Council for this location is: Mid-Valley Arts. You may view their website at: http://www.oregonlink.com/arts/index.html