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- Description
- Pottery: black-figured lekythos: the Weighing of Souls. Design black on drab ground, with purple accessories. On the shoulder, lotus-buds; on the body, above, an ivy-wreath. Contest of Achilles and Memnon (or Hector): On either side is a warrior, bearded and fully armed, thrusting with spear, each having a short chiton with purple spots; the one on the left has a Boeotian shield, the other has the device of a crab (?). In the centre Hermes Pyschopompos to right, bearded, with petasos, short chiton and chlamys, both with purple spots, and endromides, holds out a pair of scales in left hand, each scale containing a small winged male figure, representing the souls of the two heroes. In the field, imitation inscriptions. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
- Description
- Pottery: red-figured pelike. (a) Thetis and a Nereid bringing arms, made by Hephaistos, to Achilles who mourns Patroclus. In the centre Achilles is seated in a chair to left in a dejected attitude, closely wrapped in his mantle, which is passed over the back of his head; he holds on his left arm a knotted staff, and wears a fillet with a vertical piece over the forehead, and sandals; on the chair is a fringed and embroidered cloth; beside his head, KAΛΟΣ, καλός. Thetis, approaching from left, has thrown her arms around his neck; she wears an Ionic chiton with dotted sleeves and embroidered diploidion, bracelets, and earrings, and her hair is looped up with a radiated stephane. Behind her a Nereid stands (similar dress, large brooch fastening diploidion on right shoulder, saccos with crosses, dotted fillet, bracelets), holding a spear and a high crested helmet. On left is Athene, who from the gesture of her right appears to be speaking. She carries a spear on her left arm and wears an Ionic chiton, tied, and a himation over her shoulders, aegis with scaly surface reaching to below waist, bracelets, and a helmet with raised cheek-pieces. The cheek-pieces of this helmet are decorated with a snake moving upwards; those of the other helmet have scale pattern; and in both the crest is supported by the arched back of a snake, whose head and tail project in front and at back. On right of Achilles a woman stands to front, holding the shield which Thetis has brought (device, in silhouette, a woman to front in chiton with apoptygma, looking to left, and holding at full extent of both arms a festooned taenia); she covers her face with her right at the sight of the goddesses. She wears sleeved chiton, himation, bracelets and earrings, and an opisthosphendone. On right stands a bearded old man looking on, leaning on his staff, draped in a mantle. The earrings have triple pendants. (b) Nereids with arms, and a Greek. The Greek, wreathed, stands to left with right resting on spear, closely draped in a mantle, which passes over the back of his head. Facing him are two Nereids, one holding a cuirass (side view), the other, holding a sword in her right (the scabbard decorated with zigzags), raises with her left the edge of her chiton; the alternate flaps of the cuirass and the chape of the scabbard are black. On right a third Nereid stands to left, holding up in her right a helmet of different form; in her left a sword, hanging by its belt, drawn entirely in silhouette, and against her left arm a spear; all three wear sleeved chiton and himation; the one on left wears a radiated fillet, the next one a dotted saccos and bracelets, and the one on right a radiated fillet and bracelets. On right ΚΑΛΟΣ, καλός. Beneath the handle on left of a, an altar in form of an Ionic capital, with volutes and necking. Beneath the other handle, a square base, on which is a helmet to left, the crest ornamented with a snake in light brown. Purple fillets, inscriptions, and wreaths in b. Brown upper folds of chiton of Thetis and of two Nereids. The hair and beard of the old man and his fillet are indicated in brown outline; the hair of Achilles, in single wavy brown lines. Eye in transition type. Below, a continuous band of key pattern; above each side, a strip of linked lotus buds. On the lower part of each handle, an inverted palmette. Around the neck, and below the design, a thin line of purple. The spears overlap the border. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured lekythos. Designs: on shoulder, black on red, with purple and white accessories; on body, black on drab, with purple accessories. 1. On the shoulder: A Satyr on all-fours to right, with face to front, pursuing a Maenad, who runs away, looking back at him; she has a long chiton with diploidion, and hair knotted up. In the field, vine-branches, with grapes. 2. On the body: Heroes casting lots at the statue of Athene: In the centre is the statue of Athene to right looking to left, with long hair, high-crested helmet with fillet, long chiton and striped himation, spear in right hand, left raised. Behind her is a table, on either side of which is a bearded warrior crouching down on one knee; the one on the left has a helmet with fillet, short striped chiton, chlamys, greaves, shield and two spears; his right hand is stretched out to the table. The other has long hair with fillet, greaves, Boeotian shield, and spear. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery neck-handled amphora; the shape suggests that it was probably used for a male burial. Clay: orange-buff clay, white grits, lustrous brown-black paint. Shape: torus lip, tall concave neck, ovoid body, disc foot; strap handles. Decoration: Light ground. Bands inside and outside lip, and at base of neck. Shoulder: two sets of nine compass-drawn concentric circles; band between lines below. Three lines around lower body. Handles: intersecting diagonal lines, rings around lower roots. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
26. Symposium
- Description
- Pottery: red-figured column-krater. (a) Symposion. Two bearded men recline to left on two couches, leaning left arm on striped cushions; the one on the right has a broad radiated band (ampyx?) tied in a bow behind the ear, with end hanging down; he raises on his right a phiale, addressing his companion, who turns towards him, holding up in his right by the stem a large kylix; this one is wreathed, and has his left arm wrapped in his mantle; both have the legs draped. In the foreground between the two a flute-player stands, to right, playing on flutes; she wears a long chiton with apoptygma, and her hair is looped up with a radiated fillet. In the background hang a taenia (on left) and a ring-shaped object (wreath ?). In front of each couch is a table, on which is a dish with flowers. (b) Three draped ephebi. The one on left moves away to left, looking back at the other two; his right arm projects over the border of the design. The central one holds a staff. In the field hangs a pair of halteres (jumping-weights). Style late and careless. Yellowish-white is used for wreath and fillet of flute-player and flowers. Round the lip, in black silhouette on red, two pairs of animals, a lion and boar, stepping towards each other. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893
- Description
- Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
29. Prothesis
- Description
- Pottery Pitcher. Clay: orange-buff clay, white grits, semilustrous brown-black paint. Shape: Flaring lip, near-vertical neck, plump ovoid body with two mastoi on the shoulder, ring foot; broad strap handle rising above rim, linked to the neck by a strut. Decoration: Neck: double meander between dotted lozenge chains; at either side, columns of check pattern between diagonal bars. Shoulder: central metope with kneeling goat, head reverted , above latticed triangles; at each side, columns of diagonal bars and mastos panel containing bird, dots and latticed triangle; eight-point star within circle on each mastos. In the long lateral panels, hatched zigzags with latticed triangles in the spaces, each bordered by columns of latticing. Dotted lozenge chain. Figured zone around belly: alternating with rows of female mourners, four prothesis scenes, on front, back, and each flank. All four share the following details, although with some variations and omissions: a four-legged bier and, below, a kneeling goat with reverted head; a shroud in double outline, usually hatched, and drawn upward to reveal the corpse; and a latticed pillow near the head of the deceased. Variations: (a) in front, to the right of the bier, a latticed tongue with double outline; (b), on one flank, the shroud is omitted; (c) on the back, a second goat to the left of the bier, and the shroud is filled with a zigzag; and (d), on the other flank, the corpse has no hands or pillow and, to the right of the bier, is a smaller mourner, perhaps an adolescent female, with breasts shown. Filling ornaments: standing and pendent latticed triangles, dotted circles, columns of chevron flanked by dots between mourners. Lower body: lozenge chain, small dotted triangles with prolonged and curved apices, dots in the field; vertical wavy lines, paint on foot. Handle: serpent flanked by dots, dotted ovals in the field, between vertical lines; above, panel with twelve-point star, between bars. Groups of nine bars on rim, band inside. --The British Museum