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22. Removal of Helen
- Description
- Pottery: black-figured amphora. Designs black on red panels, with borders of lotus-buds along the top; accessories of white and purple. (a) Departure of Aeneas from Troy: In the centre is Aeneas to right, bearded, with visored helmet and short chiton, carrying two spears; on his shoulders is Anchises, whose legs he supports with his hands. The latter has white beard and tresses, and wears a himation; in left hand he holds a sceptre. In front of them is a female figure, either Creusa, or Aphrodite, hastening to right, and looking back as if encouraging them. She wears a long embroidered chiton and himation with purple stripes; her right hand holds up her dress, her left is raised. On the left is a Trojan archer running to left and looking back; he wears a pointed cap, close-fitting jerkin and shoulder-belt, his hair is looped up under a fillet, and a quiver, with a wing attached to it, hangs at his left side. (b) Acamas and Demophon conducting Aithra: In the centre is Aithra to right, in long chiton and himation over her head, both embroidered with white rosettes; with left hand she draws forward the edge of the himation. On the right is Demophon, moving to right, and looking back at her; he has a short embroidered chiton, chlamys, helmet, sword at side, spear, and shield with ΑΘΕ painted on it. On the left is Acamas, departing to left and looking back; he has a short embroidered chiton, cuirass, visored helmet, sword at left side, two spears in right hand, and shield with three crescents painted round the rim. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927
23. Nike
- Description
- Pottery: red-figured amphora, type B. (a) Nike pouring a libation. On the right a thymiaterion with cover rests on the ground; towards it Nike, in a long sleeved chiton and bordered himation fastened on her right shoulder, flies down, turning her head towards a phiale extended in her right, so that her body is en face, with a wing extended on either side. In her left is a trefoil oinochoe with high handle. She wears bracelets and a radiated stephane: around her neck is a thin cord, to which is attached a cruciform (?) pendant; her long hair is fastened at the ends in a roll. The cover of the thymiaterion is indicated in crossed brown lines as if it were of wire network; over and around this are purple dots indicating smoke of the incense (?). (b) A wreathed, draped youth standing to left, holding up his right hand. His whiskers are rendered in faint brown. On the bottom of the foot, incised characters. End of strong style. Purple bracelets, smoke(?), and wreath. Brown inner markings of wings, edge of drapery, whiskers, and anatomy. The hair of Nike has a fringe of four rows of dots in thinned black; the treatment of her wings is peculiar: the upper part of her left wing is covered with cross-hatched brown lines: that of her right wing has the usual V-shaped marks indicating feathers. The eye is of the archaic type, with inner angle slightly opened and large pupil. Below each side, a strip, alternate maeanders and dotted cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931
24. Pigmy and Crane
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991
- Description
- Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991