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1. Mourning Scene

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

2. Battle Scene

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

3. Octopus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

4. Ambush of Troilos

Ambush of Troilos

Description: Pottery: black-figured amphora: the ambush of Troilos; as Achilles attacks Troilos, Polyxena drops her water-jar and flees in terror. --The British Museum

5. [No Caption, Dipylon amphora]

[No Caption, Dipylon amphora]

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

6. SΨΑΑSIPAJIM= Mi Larisa Axis 'I am of Laris Achi'

SΨΑΑSIPAJIM= Mi Larisa Axis 'I am of Laris Achi'

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

7. Tydeus and Ismene

Tydeus and Ismene

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

8. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

9. Sphinx, etc.

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

10. Achilles fights Hektor over βωϝός (?)

Achilles fights Hektor over βωϝός (?)

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

11. Cheiron

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

12. Achilles fights Hektor over βωϝός (?)

Achilles fights Hektor over βωϝός (?)

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

13. The Judgment of Paris

The Judgment of Paris

Description: Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

14. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Pottery neck-handled amphora; the shape suggests that it was probably used for a male burial. Clay: orange-buff clay, white grits, lustrous brown-black paint. Shape: torus lip, tall concave neck, ovoid body, disc foot; strap handles. Decoration: Light ground. Bands inside and outside lip, and at base of neck. Shoulder: two sets of nine compass-drawn concentric circles; band between lines below. Three lines around lower body. Handles: intersecting diagonal lines, rings around lower roots. --The British Museum, Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893

15. The Judgment of Paris

The Judgment of Paris

Description: Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

16. Palm of Delos

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

17. Achilles fights Hektor over βωϝός (?)

Achilles fights Hektor over βωϝός (?)

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

18. Herakles

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

19. Panathaneic Form

Panathaneic Form

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

20. Aeneas carrying Anchises

Aeneas carrying Anchises

Description: Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929

21. Departure with wreath

Departure with wreath

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

22. Removal of Helen

Removal of Helen

Description: Pottery: black-figured amphora. Designs black on red panels, with borders of lotus-buds along the top; accessories of white and purple. (a) Departure of Aeneas from Troy: In the centre is Aeneas to right, bearded, with visored helmet and short chiton, carrying two spears; on his shoulders is Anchises, whose legs he supports with his hands. The latter has white beard and tresses, and wears a himation; in left hand he holds a sceptre. In front of them is a female figure, either Creusa, or Aphrodite, hastening to right, and looking back as if encouraging them. She wears a long embroidered chiton and himation with purple stripes; her right hand holds up her dress, her left is raised. On the left is a Trojan archer running to left and looking back; he wears a pointed cap, close-fitting jerkin and shoulder-belt, his hair is looped up under a fillet, and a quiver, with a wing attached to it, hangs at his left side. (b) Acamas and Demophon conducting Aithra: In the centre is Aithra to right, in long chiton and himation over her head, both embroidered with white rosettes; with left hand she draws forward the edge of the himation. On the right is Demophon, moving to right, and looking back at her; he has a short embroidered chiton, chlamys, helmet, sword at side, spear, and shield with ΑΘΕ painted on it. On the left is Acamas, departing to left and looking back; he has a short embroidered chiton, cuirass, visored helmet, sword at left side, two spears in right hand, and shield with three crescents painted round the rim. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

23. Nike

Description: Pottery: red-figured amphora, type B. (a) Nike pouring a libation. On the right a thymiaterion with cover rests on the ground; towards it Nike, in a long sleeved chiton and bordered himation fastened on her right shoulder, flies down, turning her head towards a phiale extended in her right, so that her body is en face, with a wing extended on either side. In her left is a trefoil oinochoe with high handle. She wears bracelets and a radiated stephane: around her neck is a thin cord, to which is attached a cruciform (?) pendant; her long hair is fastened at the ends in a roll. The cover of the thymiaterion is indicated in crossed brown lines as if it were of wire network; over and around this are purple dots indicating smoke of the incense (?). (b) A wreathed, draped youth standing to left, holding up his right hand. His whiskers are rendered in faint brown. On the bottom of the foot, incised characters. End of strong style. Purple bracelets, smoke(?), and wreath. Brown inner markings of wings, edge of drapery, whiskers, and anatomy. The hair of Nike has a fringe of four rows of dots in thinned black; the treatment of her wings is peculiar: the upper part of her left wing is covered with cross-hatched brown lines: that of her right wing has the usual V-shaped marks indicating feathers. The eye is of the archaic type, with inner angle slightly opened and large pupil. Below each side, a strip, alternate maeanders and dotted cross squares. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 8, British Museum 6, London, BMP, 1931

24. Pigmy and Crane

Pigmy and Crane

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

25. The Portland Vase

The Portland Vase

Description: Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991

26. The Portland Vase

The Portland Vase

Description: Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991

27. The Portland Vase

The Portland Vase

Description: Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991

28. The Portland Vase

The Portland Vase

Description: Amphora in translucent dark cobalt blue and opaque white cameo glass. The cylindrical neck widens out to a sloping shoulder and ovoid body, whose squatness is emphasized by the lack of a foot. Everted mouth with rounded rim which is cut very unevenly on the upper side so that it is not horizontal; below this the neck curves out smoothly to the carination of the shoulder. Handles from the centre of the neck to the shoulder. The disc base (1945.9-27.2) is discussed separately. A separate Registration Number (1948.10-18.1) was assigned to approximately forty small fragments, most of which were incorporated during the most recent restoration. Broken and mended; the bottom is missing, and the underside of the vessel has been roughly trimmed and the edge left grozed, perhaps in antiquity. Slight iridescence in patches all over the inside of the vessel, slight pitting on exterior and red streaks and bubbles in the blue glass. Grinding all over the inside of the vessel, probably achieved by a filling of grit. The white design may have been reworked after its rediscovery in the sixteenth century. The inside of the rim is decorated with asymmetrical grooves either side of a ridge. The handles are vertically ridged on the outside and cut in v-shaped wedge sections. Figured design carved in the white glass, divided into two portions by a bearded and perhaps horned head below the lower attachment of each handle. One group of four persons shows a young man emerging from a rustic shrine behind which grows a shrub. His right arm held behind him clasps his cloak that is draped around the pillar of the shrine; his left arm stretched before him clasps the right arm of a half-draped lady seated on the ground turning back towards him and caressing a serpent-like creature that rises up towards her face. Eros flies to the right, above the lady, holding a bow in the left hand, a torch in his right. To the right stands a bearded man resting his chin on his right arm that itself rests on his right bent knee, the foot supported by a ledge below a tree that spreads out its branches; behind him is another tree. On the other side, at the extreme left, is a rectangular column beside which is a young man seated to the left on a rock shown in a series of steps with his head turned back towards a half-draped girl reclining to the right on the same rock with her right arm raised up to her head that is turned back to look towards the floor behind her; from her left hand hangs a burning torch. To her right, seated to the right on another rock and looking back towards the scene, sits another half-draped girl holding a sceptre in her left hand. The scene is closed by the shrub that grows from the back of the rustic shrine described above. --The British Museum, Tatton-Brown, Veronica A; Gudenrath, W; Roberts, Paul C; Whitehouse, D, Roman Cameo Glass, Vol. II, London, BMP, 2007; Walters, H B, Catalogue of Engraved Gems & Cameos, Greek, Etruscan & Roman in the British Museum, London, BMP, 1926; Jenkins, Ian; Sloan, Kim, Vases and Volcanoes - Sir William Hamilton and his collection, London, BMP, 1996; Tait, Hugh (editor), Five Thousand Years of Glass, London, BMP, 1991

29. Battle Scene

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

30. Aeneas carrying Anchises

Aeneas carrying Anchises

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

31. Collecting Olives

Collecting Olives

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

32. The Judgment of Paris

The Judgment of Paris

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

33. Death of Priam

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

34. Blinding of Polyphemos

Blinding of Polyphemos

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

35. Achilles and Ajax

Achilles and Ajax

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

36. Aeneas escape from Troy

Aeneas escape from Troy

Description: Pottery: black-figured amphora. On the neck, double honeysuckle. (a) Aeneas carrying off Anchises from Troy: In the centre is Aeneas to right, fully armed, with Boeotian shield and two spears, carrying Anchises on his shoulders; the latter has white hair and beard, long embroidered chiton, and sceptre. In front of them is Creusa (?) advancing to right and looking back at them, veiled in an embroidered himation. On the right is an old man to left, partly bald, with white hair and beard, long chiton and himation, holding a staff. Behind Aeneas is Aphrodite (?) retreating to left and looking back, with long hair, fillet, long chiton, and embroidered himation. On the left is an archer to right, beardless, with high-peaked cap, cuirass, short purple chiton, and quiver. (b) Combat of three warriors (perhaps Achilles defending Antilochos against Memnon): On the left is a bearded warrior, fully armed, with short white chiton and embroidered chlamys, thrusting with spear at a retreating warrior also fully armed, who looks back at him; he has two white plumes on his helmet, short purple chiton, Boeotian shield with device of a thunderbolt and defends himself with spear. On the right is another warrior defending the latter, fully armed, with short purple chiton, and shield with device of a dolphin to left, thrusting with spear. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 5, British Museum 4, London, BMP, 1929

37. Garland

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

38. Recovery of Helen

Recovery of Helen

Description: Pottery: black-figured amphora. Designs black on red panels, with borders of lotus-buds along the top; accessories of white and purple. (a) Departure of Aeneas from Troy: In the centre is Aeneas to right, bearded, with visored helmet and short chiton, carrying two spears; on his shoulders is Anchises, whose legs he supports with his hands. The latter has white beard and tresses, and wears a himation; in left hand he holds a sceptre. In front of them is a female figure, either Creusa, or Aphrodite, hastening to right, and looking back as if encouraging them. She wears a long embroidered chiton and himation with purple stripes; her right hand holds up her dress, her left is raised. On the left is a Trojan archer running to left and looking back; he wears a pointed cap, close-fitting jerkin and shoulder-belt, his hair is looped up under a fillet, and a quiver, with a wing attached to it, hangs at his left side. (b) Acamas and Demophon conducting Aithra: In the centre is Aithra to right, in long chiton and himation over her head, both embroidered with white rosettes; with left hand she draws forward the edge of the himation. On the right is Demophon, moving to right, and looking back at her; he has a short embroidered chiton, chlamys, helmet, sword at side, spear, and shield with ΑΘΕ painted on it. On the left is Acamas, departing to left and looking back; he has a short embroidered chiton, cuirass, visored helmet, sword at left side, two spears in right hand, and shield with three crescents painted round the rim. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

39. Amphora from Sanctuary of Zeus

Amphora from Sanctuary of Zeus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

40. Amphorae with Papyrus

Amphorae with Papyrus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

41. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

42. Hephaistos returns to Olympos

Hephaistos returns to Olympos

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

43. Hephaistos returns to Olympos

Hephaistos returns to Olympos

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

44. Peleus lifts Thetis

Peleus lifts Thetis

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

45. The Judgment of Paris

The Judgment of Paris

Description: Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

46. The Judgment of Paris

The Judgment of Paris

Description: Pottery: black-figured amphora. Designs black on red panels, with lotus and honeysuckle borders along the top; accessories of white and purple. (a) Judgment of Paris: On the right is Paris seated to left on a rock, bearded, with long hair looped up by a fillet, long chiton and himation, both embroidered with white rosettes, in left hand a lyre. Hermes, who is leading the three goddesses to him, is bearded, with long tresses, petasos, short white chiton, embroidered chlamys, and endromides, caduceus in right hand, left hand extended towards Paris. Behind him advance the three goddesses, each raising left hand. First, Hera, wearing long chiton and embroidered himation; next Athene, with high-crested helmet with cheek-pieces, long embroidered chiton with diploidion, and aegis, of which only the borders of snakes are visible, in right hand a spear; Aphrodite comes last, in long chiton and embroidered himation; all three have long hair, fillets, and necklaces. (b) Departure of a warrior: In the centre is the warrior to left, bearded, with visored helmet with fillet, chlamys, greaves, shield with device of a pellet, and two spears; facing him is a nude youth, wearing a fillet, who is receiving a garment (?) from the warrior. On the left an old man advances to right; he has a white beard and long white tresses with fillet, long purple chiton and striped himation, embroidered with white rosettes; his right hand leans on a knotted staff, and his left is extended to the warrior. On the right is a female figure to left, in a long chiton and striped embroidered himation drawn over her head; behind her is a youth to left, with fillet, long chiton, and striped himation embroidered with white rosettes. --The British Museum, A Catalogue of the Greek and Etruscan Vases in the British Museum, London, William Nicol, 1851; Walters, H B; Forsdyke, E J; Smith, C H, Catalogue of Vases in the British Museum, I-IV, London, BMP, 1893; Walters, H B, Corpus Vasorum Antiquorum: Great Britain 4, British Museum 3, London, BMP, 1927

47. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

48. Charioteer

Description: From Kobousi ?

49. Departure/Arrival

Departure/Arrival

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

50. Departure/Arrival

Departure/Arrival

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

51. Sacrificial Procession

Sacrificial Procession

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

52. Amphorae with Papyrus

Amphorae with Papyrus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

53. Amphora with Octopus

Amphora with Octopus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

54. Funeral Games

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

55. [No Caption, Dipylon amphora]

[No Caption, Dipylon amphora]

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

56. [No Caption, Dipylon amphora]

[No Caption, Dipylon amphora]

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

57. Prothesis

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

58. Prothesis

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

59. Octopus

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

60. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

61. [No Caption] Steven Lowenstam Collection

[No Caption] Steven Lowenstam Collection

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

62. Ajax and Achilles

Ajax and Achilles

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

63. Aeneas carrying Anchises

Aeneas carrying Anchises

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

64. Grave Amphorae

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

65. Grave Amphorae

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

66. Aeneas carrying Anchises

Aeneas carrying Anchises

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

67. Helen and Menelaos

Helen and Menelaos

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

68. Cretan Relief

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

69. Cretan Relief

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

70. Old man and youth playing draughts

Old man and youth playing draughts

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

71. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

72. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

73. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

74. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

75. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

76. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

77. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

78. Trojan Hourse and War

Trojan Hourse and War

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

79. Laocoon

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

80. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

81. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

82. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

83. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

84. Trojan Horse

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

85. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

86. Detail of Trojan Horse

Detail of Trojan Horse

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

87. Sack of Troy, Helen (?)

Sack of Troy, Helen (?)

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

88. Trojan Horse

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

89. Trojan War

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

90. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

91. Trojan battle scenes

Trojan battle scenes

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

92. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

93. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

94. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

95. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

96. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

97. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

98. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

99. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.

100. Sack of Troy

Description: Photograph from the personal collection of Dr. Steven Lowenstam (1945-2003), Department of Classics, University of Oregon.