Textile Panel of brown silk with painted designs of various textile fragments in browns, blues, and red, greens; floral designs, ornate oval animals, Middle Age textile designs; looks like metal stamp technique.
Apron of brown woven wool with all-over embroidery of patterned squares and geometric bands in red, off-white and blue; 3 1/2" top portion is plain brown; seam down center is concealed by embroidery; hand-stitched corners at top.
Cushion Cover of six strips of colored cotton and linen stitched together and backed on medium blue linen; each panel is heavily worked with intricate embroidery in spiny lines that create a diamond pattern; each diamond has a tiny floral wheel within and tiny dots; panels in black, red, yellow, blue, pink and brown, each with multi-colored embroidery; Cushions were placed on the floor and used for sitting or reclining.
Pillow case of tan home-grown, wild silk with chain stitch embroidery in light blue, golden yellow, taupe and ecru silk; three rows of three floral sprigs trimmed in a vine of golden beige silk with a single leaf at each corner; bridal pillow case.
Towel of fine woven linen or cotton with intricate embroidery at each end of six oval medallions of floral design with ribbons with bow at bottom; colors of light pink, blue and green silk and metallic gold threads; small floral band at bottom trim.
Textile Sample if ivory silk and cotton crepe in a gauze-like texture with vertical lines of slightly heavier weight threads; narrow band hems at top and bottom.
Sleeve (from a woman's garment) of hand-spun and hand-woven ivory silk and cotton crepe; fabric is twisted to add crepe-ness; end is trimmed in very fine needlepoint lace in a pale pink zig-zag with off-shoot fan accents edged in pale blue.
Child's dress of ivory hand-spun, hand-woven cotton and silk crepe yarns; finished fabric has been twisted to add crepe-ness; sleeveless with wide, scoop neckline trimmed in pink feather stitch and pink and white tatting; full-length.
a) Textile Panel of tan cotton with block print pattern of trees with flowers and roots in shades of deep turquoise, browns, and earth red; design looks painted with watercolor shading; a channel has been machine sewn at top for hanging. b) smaller fragment of same textile (2006:9:1).
Textile fragment of ecru and taupe cotton/silk damask brocade in a lively floral design in deep orange and greenish-grey silk; design of stylized flowers and curving leaves with some of the fill of designs having texture; from a man's coat.
Convent sampler of a variety of open-work lace stitches with a blue silk back that shows through; eight blocks show different patterned open-work and Ajour lace.
Handbag (re-purposed from the sleeve trim from a woman's garment) of heavy-weight natural cotton with trim along the top portion of solid embroidery in red, dark blue and white cotton; design of figured bands ending in triangles feather edged; zig-zag, dots, arrows; embroidery does not extend all the around the bag as the underarm portion of the sleeve was left undone; metal eyelets; no straps.
Handbag (re-purposed from the sleeve trim from a woman's garment) of heavy-weight natural cotton with heavy textural embroidery in black silk; solid embroidered band along the top with distinct motifs dipping down in straight lines separated by open space; two braided cord stripes create a short handle.
Textile of red, orange, lavender, pale chartreuse and black hand-spun, woven goat hair solid embroidery on heavy woven cotton or linen; design of stripes alternating with figured, geometric bands.
Handbag (re-purposed from the sleeve trim from a woman's garment) of heavy-weight natural cotton embroidered in browns with accents of pale pastel colors of silk; vertical bands of solid embroidery with decorative motifs between; triangles with feathered edges along top; solid embroidery uses texture to create zig-zag and triangular patterns; two braided cord straps of black, green and red make a handle.
Towel of hand-spun, hand-woven linen with blue and red laid-in weaving; 7" border design at each end and five separate motifs decorate the length of the towel on each side; typical Cretan pattern and colors.
Textile Panel of red, light red and black hand-spun and hand-woven goat hair; textile of solid embroidery on natural cotton in geometric blocks with cross within; rows of blocks are separated by figured bands; very detailed embroidery.
Textile panel from a blouse of woven natural cotton with solid embroidery in red with accents of black in geometric designs and star motifs in bands; design is in a prayer-niche shape.
Handbag of heavyweight, hand-spun, hand-woven natural white cotton with a 4 7/8" solid embroidered band trim along the top in a geometric pattern with linear designs in red and blue; bag has been repurposed from a portion of a sleeve, the underside of which was not fully embroidered, giving the handbag a design only part way around; bag has braided cord straps in an orange and blue twist.
Textile Sampler of linen with fine silk embroidery in figured bands, and fine pulled work; geometric motifs in bright crimson, green, peach, and yellow; cross stitch work; sampler from a Spanish man's convent.
One-half length of a hand-woven scarf of multi-colored, horizontally striped silk; warp is magenta and forms a 5 1/2" fringe at the one end; main colors of fuchsia, blue, yellow, olive, cerise and black; stripes vary in width from pin stripe to 1" stripe.
Wedding Kimono of ecru silk satin with embroidered floral branches winding up the kimono from the hemline; branches are of dark brown satin stitch with ivory, metallic gold, and dark orange flowers with long green leaves; metallic gold flowers and characters are couched; kimono is lined in pale blue silk embroidered with couched metallic gold branches with green silk leaves and yellow silk flowers in satin stitch; padded hemline; full-length; curved sleeves.
Textile fragment of ribbed and check textured warm reddish-tan silk brocaded in colorful silks and metallic threads in designs of baskets of flowers, leaves, floral and berry motif; colors are reds, green, white, chartreuse, blue and dark brown; probably used for a man's coat.
Handbag (repurposed from sleeve trim of a woman's garment) of hand-woven cotton with a 4" band of solid embroidery in linear geometric patterns in dark brown with accents of blue, green and tan silk; figured bands; two braided cord straps at top.
Handbag (repurposed from the sleeve trim of an Attica woman's garment) of heavy-weight natural cotton trimmed along the top portion with a 5" solid embroidered band in red and blue cotton with accents of white; design has a solid red ground with a superimposed design in dark blue of geometric linear motifs in patterned bands; back side of the bag does not have the design all the way around as the underside of the sleeve was left unfinished; leather straps for handle at center.
Textile Panel of natural linen with varied colorful thread embroidery, bead embroidery, open-work stitched lace; woven lace and varied trim in white, rose, green and yellow; floral designs, geometric designs, animal, figure and potted flowers.
Textile Panel (section of a sleeve) of red and black figured stripe embroidery; fine woven stitched designs in red and black on white muslin ground; white geometric floral motifs against alternating horizontal bands of black and red stitched ground.
Bag (repurposed from a wedding dress) of hand-woven cotton with a 6" band of solid embroidery in black silk; pattern of a textural knot-like stitch in star-like motifs; cross-stitch stripe below the solid embroidery; a section of newer cotton is added at the bottom to finish the bag; no holes or straps at top.
Handbag (repurposed from a sleeve trim from a woman's dress) of hand-spun, hand-woven cotton heavily embroidered in pale pink and tan silk; embroidered design composed of think lines creating geometric, architectural spaced motifs; two straps at top of twisted cord in gold, yellow and olive.
Textile fragment of natural beige silk faille with Tambour embroidery in metallic gold, rose pink and blue silk with gold sequin accents; embroidered design of curving foliated stems and flowering branches intertwined with ribbon bows and streamers; some flowers are accented with flat sequins; would be used to accent the neckline of a woman's costume.
Towel of hand-woven linen crepe with 10" embroidered band at each end done in metallic threads and pinks, blues and green silks; variety of stitch-work and open-work mesh; edges of embroidered area is finished in gold braid with scalloped trim; designs are outlined.
Textile trim from a sleeve band of solid embroidered linen or cotton with a central design of geometric patterned red, black, yellow and ecru on textured orange ground with black and orange uniquely patterned bands at top and bottom; very intricate, detailed work.
Burial Cloth (part of three sections) of unboiled, woven ivory silk with satin stripes, horizontal and vertical, with laid-in woven bands of floral and bird motifs; colors of peach, purple, blue, green, red and orange vegetable dyed yarns with stripes of metallic threads on either side of the decorative bands; ends are finished with warp fringe.
Handbag of hand-woven cotton canvas with turkey red embroidery with accents of black embroidery; pointed bottom with three burgundy tassels; embroidered bands along top in looping and couching work; lower part has a looping band over a seam; bottom center has a swirling motif; design shows influence of Bulgaria and Yugoslavia; no straps.
Handbag (re-purposed from the sleeve trim from a woman's garment) of heavy-weight natural cotton with trim along the top portion of solid embroidery in red and white ending in red triangles with a white motif in the center; geometric linear motifs; design does not extend all the way around the bag as the sleeve was not decorated on the underside; metal eyelets; no straps.
Vest of wine red velvet heavily embellished with braided black cord embroidery and applique in curling and interweaving designs at center of both front-side panels; designs are plant-like, ornate and geometric; opening is faced with wine red kersey and has large buttonholes for lacing; ball tassels trim front panels; back of panels of olive green kersey with right-back side patch pocket with black fabric at lower half and twisted cord embroidery trim; back yoke has twisted cord embroidery and applique work in violet, blues and black; neckline is finished in a 7/8" striped woven band; vest is lined in muslin.
Scarf or Towel of hand-spun, hand-woven ecru cotton, silk heavily embroidered at each end in squares with eight-pointed within in salmon, tan, brown and white; open-work band at end; finished in attached fringe of black, cerise and gold silk; a zig-zag line on the inner end is trimmed in light green leaf motifs; each end also has three cypress tree motifs outlined in green; cypress motifs have a vessel underneath - sometimes the cypress motif symbolizes the tree of life.
Handbag (re-purposed from the sleeve trim from a woman's garment) of heavy-weight natural cotton embroidered with a distinctive star-like motif particular to this village- no other village uses this design; designs are in black with outline in blue, orange, red and green; top is trimmed with a diamond patterned band with alternating colors; metal eyelets; straps missing.
Textile Panel from a vest from a village costume of solid embroidery in cotton, silk and goat's hair in the characteristic village design; colors are red, yellow, black, olive, grey with accents of pink and orange.
Textile fragment of natural linen (probably from a towel) embroidered in bright red, purple, black and metallic gold; edged in needle lace and sequins; floral motifs and geometric, linear designs.
Handbag (re-purposed from the sleeve trim from an Attica woman's wedding dress) of heavy-weight natural cotton with solid embroidered band ending in dipped points of brightly colored silk and black silk; colors include chartreuse, violet, salmon, green, red, white, purple and blue; geometric design with lines and shapes; cord straps at top woven through holes.
Textile Panel of Kilim work in goat hair, wool and metallic thread in a fine line diamond pattern with eyes in the center; deep red ground with linear design in metallic thread and black.
Textile Panel (part of a flour sack) of hand-spun, hand-woven un-dyed flax with red cross-stitch embroidery in geometric bands with fruit and plant motifs; horizontal band with portion that is not embroidered.
Tapestry of bright red-orange heavy-weight, ribbed silk with metallic gold emblem of a family crest (Kamon) on one side; the other side has Ikat-like lines of metallic gold on warm beige ground with a partial design of dragons, sun, clouds, and geometric designs in an oval band of fire-like designs; a second emblem of a wrapped pole and a pipe-like emblem with a hole in one side; gold knotted tassels at each of the four corners. This Kamon, family emblem, might be Toyotomi.
Tapestry of green heavy-weight ribbed woven silk with a white medallion emblem and a gold Japanese character; this is a family crest, called Kamon in Japan; the white emblem is a plant crest called Ume-mon (Japanese crests of plum). The tapestry would be hung in the center so both the Japanese character and the emblem would hang in the correct position.
Table Runner of hand-woven flax embroidered in dark red, orange and green wool with outline of fine black running stitch; block-like motifs form two vertical bands with a central rectangle of small squares with alternating wool colors; decorative geometrical floral design.